No catches, no fine print just unconditional book love and reading recommendations for your students and children.
You can create your own school's page, develop tailored reading lists to share with peers and parents...all helping encourage reading for pleasure in your children.Find out more
Shaun Tan was born in 1974 and grew up in the northern suburbs of Perth, Western Australia. In school he became known as the “good drawer” which partly compensated for always being the shortest kid in every class. He graduated from the University of WA in 1995 with joint honours in Fine Arts and English Literature, and currently works full time as a freelance artist and author, concentrating mostly on writing and illustrating picture books.
Shaun began drawing and painting images for science fiction and horror stories in small-press magazines as a teenager, and has since then he has received numerous awards for his picture books, including the CBCA (Children’s Book Council of Australia) Picture Book of the Year Award for The Rabbits with John Marsden. In 2001 Shaun was named Best Artist at the World Fantasy Awards in Montreal. He has recently worked for Blue Sky Studios and Pixar, providing concept artwork for forthcoming films. He has worked as a theatre designer, a concept artist for animated films including Pixar's WALL-E and directed the Academy Award-winning short film, The Lost Thing in 2011. In the same year, Tan received the Astrid Lindgren Memorial Award, honouring his contribution to international children's literature.
Shaun Tan on himself and Eric:
"Drawing a good picture is like telling a really good lie – the key is in the incidental detail," says Shaun Tan. (interview with Guardian Online, 2009)
“A recurring theme in my sketchbook are characters carrying a suitcase. I’m not sure why. Sometimes it arises because I’ve drawn a character and they look silly standing there without anything in their hands, so I’ll often add a suitcase or a box. This constantly suggested a story. The story ‘Eric’ in Tales from Outer Suburbia was suggested by a similar drawing of a little character with a pointy head and the word Eric written underneath.
I do rarely give names. 'Eric' is an exception, but even then the name is a substitute for something we can’t hear or pronounce properly, so we never know his real name.” (interview with Write Away, 2009)
Winner of the CILIP Kate Greenaway Medal 2020 | In this mind-blowingly beautiful book comprising twenty-five tales, visionary artist and writer Shaun Tan turns his attention to the relationship between humans and animals in varied urban contexts. A rhino on a motorway. An owl at the side of a hospital patient. An eagle spied at multiple international airports. Giant snails declared “indecent” by the public. Dreamlike, mysterious and poignant, this is a book to pore over. Both words and illustrations lend themselves to multiple readings, each experience unearthing alternate interpretations, new discoveries, fresh ways of seeing the world. What a sublimely strange feat this is.
Selected by a distinguished independent panel of experts including our editorial expert, Julia Eccleshare, for Diverse Voices - 50 of the best Children's Books celebrating cultural diversity in the UK. The Arrival has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
The Arrival has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place. How did it come to be created, and what inspired its unique and captivating story?
Shortlisted for the 2015 CILIP Kate Greenaway Medal Combining humour and surreal fantasy, Shaun Tan pictures a summer in the lives of two boys. Each spread tells of an event and the lesson learned. By turns, these events become darker and more sinister as the boys push their games further and further.
Exquisitely packaged, this is a beautiful, lyrically written and illustrated fable about cultural differences and how we deal with them. Eric comes on a foreign exchange. The narrator is excited that he is coming but then confused by Eric’s responses to things. What is interesting for him? Is he having a good time? How does he see us? All is made clear when the visitor suddenly goes leaving behind an interesting and surprising legacy.