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Sarah Crossan has lived in Dublin, London and New York, and now lives in Hertfordshire. She graduated with a degree in Philosophy and Literature before training as an English and drama teacher at the University of Cambridge. The Weight of Water and Apple and Rain were both shortlisted for the CILIP Carnegie Medal. In 2016, Sarah won the CILIP Carnegie Medal as well as the YA Book Prize, the CBI Book of the Year award and the CLiPPA Poetry Award for her novel, One.
Sarah is the go-to writer of the free verse novel in the UK and Ireland, and is the current Laureate na nÓg (Ireland’s Children’s Literature Laureate). Her theme as Laureate is #WeAreThePoets, a two-year project inspiring young people to express themselves through poetry and verse.
Longlisted for the UKLA Book Awards 2020 | Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Shortlisted for the CILIP Carnegie Medal 2013 | The Weight of Water is a startlingly original piece of fiction written in verse; most simply a brilliant coming of age story. First love, friendship and quiet courage combine in this spare and beautiful story that will leave you sad, happy and wanting more from this fantastic new voice in children's fiction. It tackles the alienation experienced by many young immigrants. Moving, unsentimental and utterly page-turning, we meet and share the experiences of a remarkable 12 year old girl who shows us how quiet courage prevails. A truly special and remarkable read that should not be missed and, Bloomsbury the publisher has done a wonderful job on the book itself - the best things come in small packages - and this is abslutely no exception, so buy the physical book and not the ebook.
Winner of the Children’s Book Award 2016, Books for Older Readers category - Longlisted for the 2015 Guardian Children's Book prize - Shortlisted for the 2015 CILIP Carnegie Medal | Apple is sure that one day her mother will return. And when that happens she is sure that everything in her life will be good again. But when Mum does return, Apple finds that what you wish for may not always be what you really want. With the arrival of mum, Apple’s life is turned upside down. Home, school and most of all, what she really thinks about all those around her, are all thrown into confusion. Can Apple find happiness in a new way of life? Apple’s poems help her to tell this touching story of an unhappy and complicated family life.
Longlisted for the UKLA Book Awards 2020 | May 2019 Book of the Month | Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Shortlisted for the UKLA Book Awards 2019 | July 2018 Book of the Month | Shortlisted for the YA Book Prize 2018 | Shortlisted for the Centre for Literacy in Primary Poetry Award 2018 | One of Our Books of the Year 2017 | Shortlisted for the Costa Children's Book Award 2017 | | A book to break your heart, quicken your blood and stir your soul by one of the most outstandingly distinctive writers to have emerged in a long, long time. New Yorker Joe Moon was only seven when he took the call in which his big brother Ed told him he'd been arrested because “they think I done something real bad”. That “something” led to Ed winding up on death row, convicted of murdering a cop, though he insists he’s innocent. Ten years later, now Ed’s execution date has been set, Joe travels to Texas to say goodbye. The sublimely-formed structure slips between present and past, recounting the brothers’ troubled upbringing - how their Mom took off; how Aunt Karen took control and decided that Bible study and never mentioning Ed again was the only route to their salvation. While she insists that there’s no point wasting life or money helping someone who wasn’t sorry, Joe sees things differently. “He's my brother,” and that’s really all that matters. He has to see him. Lawyer Al, who’s taken on Ed’s case for free, offers some hope, but time is running out. “It's better to be guilty and rich, I reckon,” Joe remarks, as he experiences the excruciating injustices of a legal system in which the harshness of a sentence depends on where a crime takes place, who the victim was, and who you can afford to pay to represent you (crucially, Ed had no representation when he was first arrested). Once again, Crossan's free verse form is breathtakingly powerful - always the right word, in the right place, at the right time. Yes, this is harrowing and heartbreaking, but the kindness of the strangers Joe meets in Texas is achingly uplifting, as is the deep bond of love between Joe and Ed. This really is a magnificent feat of writing.
Shortlisted for the YA Book Prize 2018 | Shortlisted for the Centre for Literacy in Primary Poetry Award 2018 | One of Our Books of the Year 2017 | Shortlisted for the Costa Children's Book Award 2017 | | A book to break your heart, quicken your blood and stir your soul by one of the most outstandingly distinctive writers to have emerged in a long, long time. New Yorker Joe Moon was only seven when he took the call in which his big brother Ed told him he'd been arrested because “they think I done something real bad”. That “something” led to Ed winding up on death row, convicted of murdering a cop, though he insists he’s innocent. Ten years later, now Ed’s execution date has been set, Joe travels to Texas to say goodbye. The sublimely-formed structure slips between present and past, recounting the brothers’ troubled upbringing - how their Mom took off; how Aunt Karen took control and decided that Bible study and never mentioning Ed again was the only route to their salvation. While she insists that there’s no point wasting life or money helping someone who wasn’t sorry, Joe sees things differently. “He's my brother,” and that’s really all that matters. He has to see him. Lawyer Al, who’s taken on Ed’s case for free, offers some hope, but time is running out. “It's better to be guilty and rich, I reckon,” Joe remarks, as he experiences the excruciating injustices of a legal system in which the harshness of a sentence depends on where a crime takes place, who the victim was, and who you can afford to pay to represent you (crucially, Ed had no representation when he was first arrested). Once again, Crossan's free verse form is breathtakingly powerful - always the right word, in the right place, at the right time. Yes, this is harrowing and heartbreaking, but the kindness of the strangers Joe meets in Texas is achingly uplifting, as is the deep bond of love between Joe and Ed. This really is a magnificent feat of writing.
Winner for the Children's Book Award 2017 - Books for Older Readers Category | One of our Books of the Year 2016 | Winner of the CILIP Carnegie Medal 2016. Joint Winner of the CLiPPA 2016 (CLPE Children’s Poetry Award). Longlisted for the UKLA 2017 Book Awards. Shortlisted for the Children's category of the Books are My Bag Readers Awards 2016 | Winner of The Bookseller's 2016 prize for young adult fiction. Ireland's Children's Book of the Year Award 2016. | Award-winning Sarah Crossan tells an astonishing and difficult story with the surest of touches in this tender, funny and life affirming book. Grace and Tippi are twins. Not just twins but conjoined twins, sharing the lower half of their bodies. Somehow they have always managed to be individuals while also part of each other. Now teenagers, Tippi and Grace are facing increasing difficulties. They are off to school for the first time meeting new experiences and especially new friendships and relationships. While Tippi longs for things to remain the same, Grace yearns for something more. Falling in love with classmate Jon she begins to imagine a future full of romance and love. But will there be a future for Grace and Tippi? When a desperate decision needs to be taken the girls lives must change forever. Sarah Crossan tells an original and utterly gripping story brilliantly. One of our Julia Eccleshare's Pick of the Year 2015.
Winner of the CILIP Carnegie Medal 2016. Winner of The Bookseller's 2016 prize for young adult fiction. | Award-winning Sarah Crossan tells an astonishing and difficult story with the surest of touches in this tender, funny and life affirming book. Grace and Tippi are twins. Not just twins but conjoined twins, sharing the lower half of their bodies. Somehow they have always managed to be individuals while also part of each other. Now teenagers, Tippi and Grace are facing increasing difficulties. They are off to school for the first time meeting new experiences and especially new friendships and relationships. While Tippi longs for things to remain the same, Grace yearns for something more. Falling in love with classmate Jon she begins to imagine a future full of romance and love. But will there be a future for Grace and Tippi? When a desperate decision needs to be taken the girls lives must change forever. Sarah Crossan tells an original and utterly gripping story brilliantly. ~ Julia Eccleshare One of our Books of the Year 2015- Julia Eccleshare's Pick of the Year 2015 - September 2015 Julia Eccleshare's Mega Book of the Month
Winner of the Children’s Book Award 2016, Books for Older Readers category - Longlisted for the 2015 Guardian Children's Book prize - Shortlisted for the 2015 CILIP Carnegie Medal Apple is sure that one day her mother will return. And when that happens she is sure that everything in her life will be good again. But when Mum does return, Apple finds that what you wish for may not always be what you really want. With the arrival of mum, Apple’s life is turned upside down. Home, school and most of all, what she really thinks about all those around her, are all thrown into confusion. Can Apple find happiness in a new way of life? Apple’s poems help her to tell this touching story of an unhappy and complicated family life.
Shortlisted for the CILIP Carnegie Medal 2013 | The Weight of Water is a startlingly original piece of fiction written in verse; most simply a brilliant coming of age story. First love, friendship and quiet courage combine in this spare and beautiful story that will leave you sad, happy and wanting more from this fantastic new voice in children's fiction. It tackles the alienation experienced by many young immigrants. Moving, unsentimental and utterly page-turning, we meet and share the experiences of a remarkable 12 year old girl who shows us how quiet courage prevails. A truly special and remarkable read that should not be missed and, Bloomsbury the publisher has done a wonderful job on the book itself - the best things come in small packages - and this is abslutely no exception, so buy the physical book and not the ebook.
Mad Max for the eco-generation it's a superalative dystopian thriller about courage and freedom, with a love story at its heart. There are 'haves' and 'have nots' - those who can afford oxygen to live and those that can't. But there's a secret resistance which 16 year old Alina is part of and she's determined to fight back the terrifying regime that runs life inside the world of the 'haves' in what's known as the Pod. But to survive she needs the help of a band of rebels who are protecting an enclave of trees that are keeping them alive...
The Weight of Water is a startlingly original piece of fiction written in verse; most simply a brilliant coming of age story. First love, friendship and quiet courage combine in this spare and beautiful story that will leave you sad, happy and wanting more from this fantastic new voice in children's fiction. It tackles the alienation experienced by many young immigrants. Moving, unsentimental and utterly page-turning, we meet and share the experiences of a remarkable 12 year old girl who shows us how quiet courage prevails. A truly special and remarkable read that should not be missed and, Bloomsbury the publisher has done a wonderful job on the book itself - the best things come in small packages - and this is abslutely no exception, so buy the physical book and not the ebook.
Longlisted for the UKLA Book Awards 2020 | Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Longlisted for the UKLA Book Awards 2020 | May 2019 Book of the Month | Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Shortlisted for the CILIP Carnegie Medal 2013 | The Weight of Water is a startlingly original piece of fiction written in verse; most simply a brilliant coming of age story. First love, friendship and quiet courage combine in this spare and beautiful story that will leave you sad, happy and wanting more from this fantastic new voice in children's fiction. It tackles the alienation experienced by many young immigrants. Moving, unsentimental and utterly page-turning, we meet and share the experiences of a remarkable 12 year old girl who shows us how quiet courage prevails. A truly special and remarkable read that should not be missed and, Bloomsbury the publisher has done a wonderful job on the book itself - the best things come in small packages - and this is abslutely no exception, so buy the physical book and not the ebook.
Winner of the Children’s Book Award 2016, Books for Older Readers category - Longlisted for the 2015 Guardian Children's Book prize - Shortlisted for the 2015 CILIP Carnegie Medal | Apple is sure that one day her mother will return. And when that happens she is sure that everything in her life will be good again. But when Mum does return, Apple finds that what you wish for may not always be what you really want. With the arrival of mum, Apple’s life is turned upside down. Home, school and most of all, what she really thinks about all those around her, are all thrown into confusion. Can Apple find happiness in a new way of life? Apple’s poems help her to tell this touching story of an unhappy and complicated family life.
The astonishing new novel from the incomparable, multi-award-winning and Laureate na nOg Sarah Crossan. I am not who I say I am. Marla isn't who she thinks she is. I am a girl trying to forget. Marla is a woman trying to remember. Allison has run away from home and with nowhere to live finds herself hiding out in the shed of what she thinks is an abandoned house. But the house isn't empty. An elderly woman named Marla, with dementia, lives there - and she mistakes Allison for an old friend from her past called Toffee. Allison is used to hiding who she really is, and trying to be what other people want her to be. And so, Toffee is who she becomes. After all, it means she has a place to stay. There are worse places she could be. But as their bond grows, and Allison discovers how much Marla needs a real friend, she begins to ask herself -where is home? What is a family? And most importantly, who am I, really?
Shortlisted for the UKLA Book Awards 2019 | July 2018 Book of the Month | Shortlisted for the YA Book Prize 2018 | Shortlisted for the Centre for Literacy in Primary Poetry Award 2018 | One of Our Books of the Year 2017 | Shortlisted for the Costa Children's Book Award 2017 | | A book to break your heart, quicken your blood and stir your soul by one of the most outstandingly distinctive writers to have emerged in a long, long time. New Yorker Joe Moon was only seven when he took the call in which his big brother Ed told him he'd been arrested because “they think I done something real bad”. That “something” led to Ed winding up on death row, convicted of murdering a cop, though he insists he’s innocent. Ten years later, now Ed’s execution date has been set, Joe travels to Texas to say goodbye. The sublimely-formed structure slips between present and past, recounting the brothers’ troubled upbringing - how their Mom took off; how Aunt Karen took control and decided that Bible study and never mentioning Ed again was the only route to their salvation. While she insists that there’s no point wasting life or money helping someone who wasn’t sorry, Joe sees things differently. “He's my brother,” and that’s really all that matters. He has to see him. Lawyer Al, who’s taken on Ed’s case for free, offers some hope, but time is running out. “It's better to be guilty and rich, I reckon,” Joe remarks, as he experiences the excruciating injustices of a legal system in which the harshness of a sentence depends on where a crime takes place, who the victim was, and who you can afford to pay to represent you (crucially, Ed had no representation when he was first arrested). Once again, Crossan's free verse form is breathtakingly powerful - always the right word, in the right place, at the right time. Yes, this is harrowing and heartbreaking, but the kindness of the strangers Joe meets in Texas is achingly uplifting, as is the deep bond of love between Joe and Ed. This really is a magnificent feat of writing.
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Winner of the UKLA 2018 Book Award | January 2018 Book of the Month | Sarah Crossan and Brian Conaghan are two of our most garlanded YA authors: she won the 2016 Carnegie Medal, the UK’s top children’s book award; he has just been awarded the 2016 Costa Children’s Book Award. In this fine and extremely moving novel, they share the writing honours. The narrative is split between two young protagonists, English Jess, whose lines are written by Crossan, and Nicu, newly arrived from Romania, voiced by Conaghan. The two meet on a programme for young offenders and secretly, necessarily without the knowledge of friends and family, become close. We suspect it’s unlikely things will end well for these star-cross’d lovers but the authors keep us hoping for the happy ending we want for them and to the very last page. Nicu’s narrative in particular lightens the tone, sharp and often funny, his interior monologues disarmingly honest. The authors have chosen to write in blank verse, and it strips setting and emotions to the absolute essence, succinctly creating the dull North London streets, and distilling the characters’ experiences and emotions into spare, shining lines. Highly recommended.
Shortlisted for the UKLA 2018 Book Award February 2017 MEGA Book of the Month | In a nutshell: unputdownable story, beautifully told | Sarah Crossan and Brian Conaghan are two of our most garlanded YA authors: she won the 2016 Carnegie Medal, the UK’s top children’s book award; he has just been awarded the 2016 Costa Children’s Book Award. In this fine and extremely moving novel, they share the writing honours. The narrative is split between two young protagonists, English Jess, whose lines are written by Crossan, and Nicu, newly arrived from Romania, voiced by Conaghan. The two meet on a programme for young offenders and secretly, necessarily without the knowledge of friends and family, become close. We suspect it’s unlikely things will end well for these star-cross’d lovers but the authors keep us hoping for the happy ending we want for them and to the very last page. Nicu’s narrative in particular lightens the tone, sharp and often funny, his interior monologues disarmingly honest. The authors have chosen to write in blank verse, and it strips setting and emotions to the absolute essence, succinctly creating the dull North London streets, and distilling the characters’ experiences and emotions into spare, shining lines. Highly recommended. ~ Andrea Reece
Shortlisted for the YA Book Prize 2018 | Shortlisted for the Centre for Literacy in Primary Poetry Award 2018 | One of Our Books of the Year 2017 | Shortlisted for the Costa Children's Book Award 2017 | | A book to break your heart, quicken your blood and stir your soul by one of the most outstandingly distinctive writers to have emerged in a long, long time. New Yorker Joe Moon was only seven when he took the call in which his big brother Ed told him he'd been arrested because “they think I done something real bad”. That “something” led to Ed winding up on death row, convicted of murdering a cop, though he insists he’s innocent. Ten years later, now Ed’s execution date has been set, Joe travels to Texas to say goodbye. The sublimely-formed structure slips between present and past, recounting the brothers’ troubled upbringing - how their Mom took off; how Aunt Karen took control and decided that Bible study and never mentioning Ed again was the only route to their salvation. While she insists that there’s no point wasting life or money helping someone who wasn’t sorry, Joe sees things differently. “He's my brother,” and that’s really all that matters. He has to see him. Lawyer Al, who’s taken on Ed’s case for free, offers some hope, but time is running out. “It's better to be guilty and rich, I reckon,” Joe remarks, as he experiences the excruciating injustices of a legal system in which the harshness of a sentence depends on where a crime takes place, who the victim was, and who you can afford to pay to represent you (crucially, Ed had no representation when he was first arrested). Once again, Crossan's free verse form is breathtakingly powerful - always the right word, in the right place, at the right time. Yes, this is harrowing and heartbreaking, but the kindness of the strangers Joe meets in Texas is achingly uplifting, as is the deep bond of love between Joe and Ed. This really is a magnificent feat of writing.
Winner for the Children's Book Award 2017 - Books for Older Readers Category | One of our Books of the Year 2016 | Winner of the CILIP Carnegie Medal 2016. Joint Winner of the CLiPPA 2016 (CLPE Children’s Poetry Award). Longlisted for the UKLA 2017 Book Awards. Shortlisted for the Children's category of the Books are My Bag Readers Awards 2016 | Winner of The Bookseller's 2016 prize for young adult fiction. Ireland's Children's Book of the Year Award 2016. | Award-winning Sarah Crossan tells an astonishing and difficult story with the surest of touches in this tender, funny and life affirming book. Grace and Tippi are twins. Not just twins but conjoined twins, sharing the lower half of their bodies. Somehow they have always managed to be individuals while also part of each other. Now teenagers, Tippi and Grace are facing increasing difficulties. They are off to school for the first time meeting new experiences and especially new friendships and relationships. While Tippi longs for things to remain the same, Grace yearns for something more. Falling in love with classmate Jon she begins to imagine a future full of romance and love. But will there be a future for Grace and Tippi? When a desperate decision needs to be taken the girls lives must change forever. Sarah Crossan tells an original and utterly gripping story brilliantly. One of our Julia Eccleshare's Pick of the Year 2015.
Winner of the Children’s Book Award 2016, Books for Older Readers category - Longlisted for the 2015 Guardian Children's Book prize - Shortlisted for the 2015 CILIP Carnegie Medal Apple is sure that one day her mother will return. And when that happens she is sure that everything in her life will be good again. But when Mum does return, Apple finds that what you wish for may not always be what you really want. With the arrival of mum, Apple’s life is turned upside down. Home, school and most of all, what she really thinks about all those around her, are all thrown into confusion. Can Apple find happiness in a new way of life? Apple’s poems help her to tell this touching story of an unhappy and complicated family life.
Resistance to the Pod Leadership has come apart. The Grove has been destroyed but so has the Pod Minister. Quinn, Bea and Alina separately must embark on a perilous journey across the planet's dead landscape in search of the rumoured resistance base Sequoia. The welcome they receive at Sequoia is not what they expect, and soon they are facing a situation that seems as threatening as that of the Pod inhabitants. Meanwhile the former Pod Minister's son, Ronan, is beginning to have his doubts about the regime but as a member of an elite force he is sent out of the pod to hunt down the Grove's survivors. In a world in which the human race is adapting to survive with little air, the stakes are high. This action-packed sequel to Breathe is every bit as nail-biting and satisfying as its predecessor - visionary storytelling of the highest quality.
Mad Max for the eco-generation it's a superalative dystopian thriller about courage and freedom, with a love story at its heart. There are 'haves' and 'have nots' - those who can afford oxygen to live and those that can't. But there's a secret resistance which 16 year old Alina is part of and she's determined to fight back the terrifying regime that runs life inside the world of the 'haves' in what's known as the Pod. But to survive she needs the help of a band of rebels who are protecting an enclave of trees that are keeping them alive...
The Weight of Water is a startlingly original piece of fiction written in verse; most simply a brilliant coming of age story. First love, friendship and quiet courage combine in this spare and beautiful story that will leave you sad, happy and wanting more from this fantastic new voice in children's fiction. It tackles the alienation experienced by many young immigrants. Moving, unsentimental and utterly page-turning, we meet and share the experiences of a remarkable 12 year old girl who shows us how quiet courage prevails. A truly special and remarkable read that should not be missed and, Bloomsbury the publisher has done a wonderful job on the book itself - the best things come in small packages - and this is abslutely no exception, so buy the physical book and not the ebook.
