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Louisa Reid has spent most of her life reading. And when she’s not doing that she’s writing stories, or imagining writing them at least. An English teacher, her favourite part of the job is sharing her love of reading and writing with her pupils. Louisa lives with her family in the north-west of England and is proud to call a place near Manchester home.
In English teacher Louise Reid’s first venture into the verse novel, she uses the form magnificently using layout and different font sizes and styles to show as well as tell Lily’s story. We meet her in the opening poem, Roadkill at her lowest ebb. Bullied at school and battered and abused outside it, betrayed by childhood ‘friends’ and mentally trapped in a self-critical prison. This is an unflinching portrait of a girl who does not fit in and who hates herself. But it is also a picture of a family in poverty and the link between poverty and obesity is well known, but not often acknowledged and ‘fat shaming” is a particularly insidious and dangerous form of bullying where the victims are often blamed. The author also gives a voice to Bernadette, the loving mother equally trapped in her own misery, overweight and virtually housebound and to Lily’s feelings for her which veer back and forth from love to shame and blame. The layers of characterisation and backstory are subtly and delicately revealed in this beautifully paced narrative. Equally touching is the depiction of her father, quiet, loyal and desperate to help. It is at his suggestion that Lily takes up his old hobby of boxing. With training and the gym comes fitness, but more importantly other support structures and tentative friendships and Lily’s bravery helps Bernadette take some positive steps too. Their journey is not easy but never anything other than utterly convincing and psychologically authentic. This important novel has home truths for both sexes to ponder and a cleverly neutral cover and the highly accessible verse format means that it can be promoted to even the most reluctant of readers. We explore the powerful themes in Louisa's follow-up verse novel Wrecked in a Q&A with the author.
From the author of Black Heart Blue and Gloves Off - both LoveReading favourites - Wrecked is a breathtakingly affecting novel-in-verse that sees teenager Joe stand trial for causing a fatal car crash. Exploring thought-provoking themes around toxic relationships, self-preservation, truth and betrayal in an ultra-accessible, engagingly authentic style, this comes highly recommended for reluctant readers. Framed within the context of Joe’s excruciatingly tense trial at which he pleads not guilty to a charge of causing death by reckless driving, his narrative slips back and forth through key moments in his life, most crucially how he got together with Imogen, his girlfriend of many years, who was with him when the crash happened. When the police arrived at the scene, Joe was said to be the driver. “The truth is in hiding, it’s scared, it’s weak/ You see, I’ve been waiting so long for my chance to speak” - so goes Joe’s internal monologue before we hear evidence that tears his character apart. But someone is lying and, little by little, we learn more about Imogen, how she “lifted my shell and prodded deep underneath at flesh unprotected, she bit with sharp teeth - she stole chunks of my certainty.” Alongside the unfolding of past events and the present-day trial, additional devastation is unravelling in Joe’s family. Wrecked is an exceptional addition to the canon of contemporary novels-in-verse for young adult readers (see also Punching the Air, The Poet X, Clap When You Land, Rebound, Black Flamingo, Gut Feelings and the work of Sarah Crossan), and mention must be made of the book’s layout too – words and letters stutter, tumble, slip and fall across and along the pages, stirringly reverberating Joe’s state of mind. We explore the powerful themes in Wrecked with Louisa Reid in a Q&A.
From the author of Black Heart Blue and Gloves Off - both LoveReading favourites - Wrecked is a breathtakingly affecting novel-in-verse that sees teenager Joe stand trial for causing a fatal car crash. Exploring thought-provoking themes around toxic relationships, self-preservation, truth and betrayal in an ultra-accessible, engagingly authentic style, this comes highly recommended for reluctant readers. Framed within the context of Joe’s excruciatingly tense trial at which he pleads not guilty to a charge of causing death by reckless driving, his narrative slips back and forth through key moments in his life, most crucially how he got together with Imogen, his girlfriend of many years, who was with him when the crash happened. When the police arrived at the scene, Joe was said to be the driver. “The truth is in hiding, it’s scared, it’s weak/ You see, I’ve been waiting so long for my chance to speak” - so goes Joe’s internal monologue before we hear evidence that tears his character apart. But someone is lying and, little by little, we learn more about Imogen, how she “lifted my shell and prodded deep underneath at flesh unprotected, she bit with sharp teeth - she stole chunks of my certainty.” Alongside the unfolding of past events and the present-day trial, additional devastation is unravelling in Joe’s family. Wrecked is an exceptional addition to the canon of contemporary novels-in-verse for young adult readers (see also Punching the Air, The Poet X, Clap When You Land, Rebound, Black Flamingo, Gut Feelings and the work of Sarah Crossan), and mention must be made of the book’s layout too – words and letters stutter, tumble, slip and fall across and along the pages, stirringly reverberating Joe’s state of mind. We explore the powerful themes in Wrecked with Louisa Reid in a Q&A.
Longlisted for the UKLA Book Awards 2021 | Selected for The Book Box by LoveReading4Kids | In English teacher Louise Reid’s first venture into the verse novel, she uses the form magnificently using layout and different font sizes and styles to show as well as tell Lily’s story. We meet her in the opening poem, Roadkill at her lowest ebb. Bullied at school and battered and abused outside it, betrayed by childhood ‘friends’ and mentally trapped in a self-critical prison. This is an unflinching portrait of a girl who does not fit in and who hates herself. But it is also a picture of a family in poverty and the link between poverty and obesity is well known, but not often acknowledged and ‘fat shaming” is a particularly insidious and dangerous form of bullying where the victims are often blamed. The author also gives a voice to Bernadette, the loving mother equally trapped in her own misery, overweight and virtually housebound and to Lily’s feelings for her which veer back and forth from love to shame and blame. The layers of characterisation and backstory are subtly and delicately revealed in this beautifully paced narrative. Equally touching is the depiction of her father, quiet, loyal and desperate to help. It is at his suggestion that Lily takes up his old hobby of boxing. With training and the gym comes fitness, but more importantly other support structures and tentative friendships and Lily’s bravery helps Bernadette take some positive steps too. Their journey is not easy but never anything other than utterly convincing and psychologically authentic. This important novel has home truths for both sexes to ponder and a cleverly neutral cover and the highly accessible verse format means that it can be promoted to even the most reluctant of readers. We explore the powerful themes in Louisa's follow-up verse novel Wrecked in a Q&A with the author.
Longlisted for the UKLA Book Awards 2021 | In English teacher Louise Reid’s first venture into the verse novel, she uses the form magnificently using layout and different font sizes and styles to show as well as tell Lily’s story. We meet her in the opening poem, Roadkill at her lowest ebb. Bullied at school and battered and abused outside it, betrayed by childhood ‘friends’ and mentally trapped in a self-critical prison. This is an unflinching portrait of a girl who does not fit in and who hates herself. But it is also a picture of a family in poverty and the link between poverty and obesity is well known, but not often acknowledged and ‘fat shaming” is a particularly insidious and dangerous form of bullying where the victims are often blamed. The author also gives a voice to Bernadette, the loving mother equally trapped in her own misery, overweight and virtually housebound and to Lily’s feelings for her which veer back and forth from love to shame and blame. The layers of characterisation and backstory are subtly and delicately revealed in this beautifully paced narrative. Equally touching is the depiction of her father, quiet, loyal and desperate to help. It is at his suggestion that Lily takes up his old hobby of boxing. With training and the gym comes fitness, but more importantly other support structures and tentative friendships and Lily’s bravery helps Bernadette take some positive steps too. Their journey is not easy but never anything other than utterly convincing and psychologically authentic. This important novel has home truths for both sexes to ponder and a cleverly neutral cover and the highly accessible verse format means that it can be promoted to even the most reluctant of readers.
Lies Like Love is the haunting and heart-breaking novel from Louisa Reid, critically acclaimed author of Black Heart Blue. LIES 'There were a few problems . . . bullying . . . a fire . . .' LIKE 'I think she's verging on psychosis . . . now she's lashing out.' LOVE 'She's got no one else to fight for her.' Sixteen year-old Audrey just wants to be normal. She's trying to fit in. But what happens when the person closest to you suffocates you with their love? What happens then?
May 2012 MEGA Debut of the Month. A debut novel which packs a heart-stopping punch. Sixteen year old twins Hephzi and Rebecca are about as different from each other as they could be; Hephzi is beautiful and bold, Rebecca suffers from disfigurement and is shy. But the twins are united in a dreadful fate and their attempts to escape from it. The daughters of a vicar, they both suffer a life of torment at his hands. A torment with no end. When Hepzi dies, Rebecca is alone for the first time in her life and she knows she must find a way out. In intertwined stories, each girl tells a part of this poignant whole. Please note that this book contains references to sexual abuse.
