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Louisa Reid has spent most of her life reading. And when she’s not doing that she’s writing stories, or imagining writing them at least. An English teacher, her favourite part of the job is sharing her love of reading and writing with her pupils. Louisa lives with her family in the north-west of England and is proud to call a place near Manchester home.
In English teacher Louise Reid’s first venture into the verse novel, she uses the form magnificently using layout and different font sizes and styles to show as well as tell Lily’s story. We meet her in the opening poem, Roadkill at her lowest ebb. Bullied at school and battered and abused outside it, betrayed by childhood ‘friends’ and mentally trapped in a self-critical prison. This is an unflinching portrait of a girl who does not fit in and who hates herself. But it is also a picture of a family in poverty and the link between poverty and obesity is well known, but not often acknowledged and ‘fat shaming” is a particularly insidious and dangerous form of bullying where the victims are often blamed. The author also gives a voice to Bernadette, the loving mother equally trapped in her own misery, overweight and virtually housebound and to Lily’s feelings for her which veer back and forth from love to shame and blame. The layers of characterisation and backstory are subtly and delicately revealed in this beautifully paced narrative. Equally touching is the depiction of her father, quiet, loyal and desperate to help. It is at his suggestion that Lily takes up his old hobby of boxing. With training and the gym comes fitness, but more importantly other support structures and tentative friendships and Lily’s bravery helps Bernadette take some positive steps too. Their journey is not easy but never anything other than utterly convincing and psychologically authentic. This important novel has home truths for both sexes to ponder and a cleverly neutral cover and the highly accessible verse format means that it can be promoted to even the most reluctant of readers.
May 2012 MEGA Debut of the Month. A debut novel which packs a heart-stopping punch. Sixteen year old twins Hephzi and Rebecca are about as different from each other as they could be; Hephzi is beautiful and bold, Rebecca suffers from disfigurement and is shy. But the twins are united in a dreadful fate and their attempts to escape from it. The daughters of a vicar, they both suffer a life of torment at his hands. A torment with no end. When Hepzi dies, Rebecca is alone for the first time in her life and she knows she must find a way out. In intertwined stories, each girl tells a part of this poignant whole. Please note that this book contains references to sexual abuse.
In English teacher Louise Reid’s first venture into the verse novel, she uses the form magnificently using layout and different font sizes and styles to show as well as tell Lily’s story. We meet her in the opening poem, Roadkill at her lowest ebb. Bullied at school and battered and abused outside it, betrayed by childhood ‘friends’ and mentally trapped in a self-critical prison. This is an unflinching portrait of a girl who does not fit in and who hates herself. But it is also a picture of a family in poverty and the link between poverty and obesity is well known, but not often acknowledged and ‘fat shaming” is a particularly insidious and dangerous form of bullying where the victims are often blamed. The author also gives a voice to Bernadette, the loving mother equally trapped in her own misery, overweight and virtually housebound and to Lily’s feelings for her which veer back and forth from love to shame and blame. The layers of characterisation and backstory are subtly and delicately revealed in this beautifully paced narrative. Equally touching is the depiction of her father, quiet, loyal and desperate to help. It is at his suggestion that Lily takes up his old hobby of boxing. With training and the gym comes fitness, but more importantly other support structures and tentative friendships and Lily’s bravery helps Bernadette take some positive steps too. Their journey is not easy but never anything other than utterly convincing and psychologically authentic. This important novel has home truths for both sexes to ponder and a cleverly neutral cover and the highly accessible verse format means that it can be promoted to even the most reluctant of readers.
May 2012 MEGA Debut of the Month. A debut novel which packs a heart-stopping punch. Sixteen year old twins Hephzi and Rebecca are about as different from each other as they could be; Hephzi is beautiful and bold, Rebecca suffers from disfigurement and is shy. But the twins are united in a dreadful fate and their attempts to escape from it. The daughters of a vicar, they both suffer a life of torment at his hands. A torment with no end. When Hepzi dies, Rebecca is alone for the first time in her life and she knows she must find a way out. In intertwined stories, each girl tells a part of this poignant whole. Please note that this book contains references to sexual abuse.
'They tried to make me go to my sister's funeral today. In the end I'd had to give in ... I'd been walking in her shadow for sixteen years and I liked its cool darkness. It was a good place to hide.' How would you feel if your twin sister died suddenly? Particularly if she was the beautiful one and you were horribly disfigured. And how would it feel to be alone now if you and your sister were the only ones to know the truth about what takes place behind closed doors at home? And what would you do if it was your parents who brought danger and terror into your life? Would you dare reveal how your sister died? And would you be brave enough to find an escape of your own? Black Heart Blue is a powerful novel about the domestic horrors that can unfold within a small community - and one girl's quest to stand up for the truth.
