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Akwaeke Emezi makes their young adult debut with Pet. An honoree for the National Book Foundation's 5 Under 35 List, a longlist nominee for the Carnegie Medal of Excellence, and a shortlist nominee for the Center for Fiction's First Novel Prize, Akwaeke continues to receive accolades and rave reviews for their adult debut Freshwater. Their second adult novel, The Death of Vivek Oji, is forthcoming in 2020.
December 2019 YA Debut of the Month | This compelling, nuanced tale is set in the town of Lucille in a future society where evil, the ‘monsters’, have been eliminated in an epic struggle by the ‘angels’ to create a better world for their children to grow up in. Jam, our selectively-nonverbal, black, trans heroine, is one of those children. When she accidentally spills her blood onto her mother’s painting, a creature called Pet emerges. Looking like a monster but here to hunt a monster preying on the family of her best friend, a boy named Redemption. But the identities of the victim and the predator are still unknown and Jam and Redemption have to face what their society fails to acknowledge: that monsters exist and hide in plain sight- that evil still resides in humanity. One of the huge strengths of this book is that Jam’s trans status is not there to score diversity points. The story does not centre around gender identity, but also does not ignore the impact upon the character and plot in a very natural, unforced way. Dialogue is used extremely creatively too. Emezi Jam speaks aloud in quotation marks and sign language is indicated with italics and when Jam and Pet speak telepathically, Emezi uses no punctuation marks whatsoever. On top of that, dialects, phrases, and cultural traditions from across African American communities appear throughout, giving a real flavour and authenticity to the narrative. Emezi has spoken of her inspiration being teenagers discomforted by the monsters in plain sight in our current society. This is a thought-provoking reading experience that could inspire valuable discussion in a lot of classroom contexts.