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The books in this section cover a range of PSHE topics including bullying, disability, family issues, divorce and adoption. There are both fiction and non-fiction titles and cover age ranges from Toddler to Older Teen.
A beautifully illustrated story, written with a light and humorous touch, that celebrates nontraditional families and captures exactly what lies at the heart of family life - love. 'Elvi, which one is your mum?' 'They're both my mum.' 'But which one's your real mum?' When Nicholas wants to know which of Elvi's two mums is her real mum, she gives him lots of clues. Her real mum is a circus performer, and a pirate, and she even teaches spiders the art of web. But Nicholas still can't work it out! Luckily, Elvi knows just how to explain it to her friend.
A Julia Eccleshare Pick of the Month July 2020 | A class trip to the art gallery inspires Luna and her friends in all kinds of ways. Seeing the amazing pictures by Cezanne, Matisse, Van Gogh and many more they are transported into other worlds and given the opportunity to savour the colours and textures of some of the world’s greatest paintings. They are also encouraged to create their own pictures inspired by the range of images they see and the stories they tell. Luna loves the art - and loves sharing it with her mum who is a helper on the trip. But for some, the experience is more challenging. Can Luna help Finn engage with what he sees and find a way of expressing his feelings? She can and the day ends happily for all. Readers will love this introduction to art as enjoyed by Luna and her classmates.
Interest Age 8+ Reading Age 8 | Tony Bradman’s gripping novella about a (bad) day in the life of a boy caring for his mum is truly touching, and especially great for reluctant readers – the concise, considered storytelling holds attention, and the short chapters are perfect for encouraging readers to keep going, or take a break, as they require. Jayden’s Mum hasn’t been herself since losing her job at the supermarket. “Maybe Mum would do the washing today,” he wonders before school one morning. “They really needed some shopping as well – the fridge was almost empty.” With Mum still in bed, Jayden gets little sister Madison ready for school, all the while worrying about what they’ll do when there’s no money at all, what they’ll eat for dinner now the cupboards are bare. Things get even worse at school when his best friend tells him to “go away...We’re not friends anymore.” Meanwhile, Jayden’s new supply teacher isn’t having a good day either: “She’d wanted to teach kids, but she had also wanted to make a difference to their lives. Yet things had changed, and over the last few years she had seemed to spend all her time filling out forms... And that made her feel cross and sad.” And now she’s here in Jayden’s school feeling lost, wondering whether she should be a teacher at all. Seeing Jayden look so sad pains her heart and then, when his sadness turns to anger and erupts like an angry volcano, Miss Wilson helps him see light at the end of his dark tunnel. Particularly suitable for struggling, reluctant or dyslexic readers aged 8+
Rachel Rooney, well known award-winning poet, and Zehra Hicks have created a positive way of looking at the everyday problems of children and how to deal with them. The problems are all given a brightly coloured physical form to help children see them for what they are - and look at ways to deal with them. The gently rhyming text suggests ways to deal with the problem, and that sharing a problem is a way to help dispose of it. A lovely way to tackle a sometimes difficult subject in a way that will appeal to many children. Keep it in your classroom for those awkward moments when you can see a child is struggling.
March 2020 Debut of the Month | This debut novel was inspired by the author’s work creating Run the World, an organisation that empowers women and girls from marginalised backgrounds through sport and storytelling and the authenticity of this, at times harrowing story, is palpably evident. As is the skill of the accomplished writing which makes great use of typography and layout to really make every word count. This speeds the reader through the narrative, but it also cuts deep to reveal the emotions experienced by our narrator. Amber Rai is only ‘truly alive’ when running and shows great potential. But her alcoholic, abusive, misogynistic father refuses to allow her on the track. She has seen her older sister Ruby denied university and married off against her will and her downtrodden, abused mother is literally powerless to help, trapped as much by illiteracy and lack of English as the violence of her equally illiterate, unemployed husband. Amber has friends and teachers who believe in her, but she cannot explain what really goes on at home. She is a complex and believable character with very real flaws that she painfully recognises: ‘inflicting pain on others/halves your own hurt’. But the story is cleverly structured on The Anatomy of a Revolution and inspired by her reading about revolutions for history, Amber, Ruby and her mother gradually empower each other to take small steps to freedom. This is an important, rewarding, highly empathetic read which, despite the dark subject matter, offers hope but no simplistic solutions.
Very cleverly this gentle story links the astonishing tale of the migration of the tiny swift to find a safe nesting site in Africa, with the story of Leila, who also must travel thousands of miles to find a safe home. The parallel migrations mirror each other in the perils of the journey but also in the hope engendered by the welcome they receive in their new home. The passage of the brave bird and the places and people who mark the passing of the seasons by his journey is evocatively told and really highlights to young readers both the physical distance and the challenges of climate and geography. All of which subtly underscores the challenge for Leila and the physical and social challenges she will face. It is thought provoking but wonderfully hopeful too. As if the miracle of nature and the endeavours of the swift can act as an inspiration for human endurance and kindness as shown by the kindness of the welcome for Leila from other children. Manuela Adreani’s gorgeous, stylish illustrations are the perfect foil for the simple yet powerful text. With many cross curricular uses for older children as well this is a very worthwhile purchase.
Winner of the UKLA Book Awards 2020 | Susin Nielsen’s new novel features unforgettable central characters, and is beautifully written; her ear for dialogue – young teen to teen, young teen to parent, young teen to emergency services – pitch perfect. Despite being a story of homelessness and poverty, it will leave readers cheered and thoroughly reassured about the strength and resilience of the human spirit. Twelve-year old Felix lives with his mother Astrid, only rarely seeing his dad. Astrid has a flexible attitude to truth and Felix has developed a chart to measure the lies she tells as they navigate their lives. These range from ‘the invisible lie’, through the ‘no-one gets hurt’ to the biggest, the ‘someone might lose an eye’ lie. As they struggle to cope living in a (stolen) camper van, Astrid uses her panoply of lies to the full and Felix reluctantly goes along with it, ready to support his mother even when it’s really difficult. Nielsen gives him good friends, and a talent for memorising facts, both of which help to set up a better future for him. Both painful and funny, this is a book that will have readers alternatively shouting at its central characters, and cheering them on.
January 2020 Debut of the Month | There’s love, friendship and challenging prejudice aplenty in this debut novel by a LGBTQ+ parenting expert. Introverted Izzy has just started Year 8 and is wildly excited when her favourite teacher announces auditions for a Christmas production of Guys and Dolls. Though shy, she’s come to love acting because on stage she “could be whoever I wanted.” And Izzy’s not the only member of her family who wants - and needs - to be who they really are, as she discovers when her dad tells the family he’s transgender and is about to begin transitioning. Though he gently explains, “It’s nothing to be ashamed of, it’s nothing dirty, I’m not ill”, Izzy’s older sister reacts angrily, her little brother accepts it in the same way he understands Spider Man and Peter Parker’s different identities, while Izzy feels quiet worry about how their lives will change. The family’s journey is honestly and sensitively portrayed as they endure hurtful prejudice alongside many heart-melting moments, such as the gorgeous scene in which the three siblings think-up their new name for Dad. This is at once an important support tool for children in similar situations, and a barrier-breaking, empathy-inducing story for all.
Twice winner of the Carnegie Medal, Berlie Doherty is one of our finest writers for young people and Deep Secret is a beautifully told story of people, place, changing times and lasting memories. At its heart are two young girls, identical twins Grace and Madeleine, but it’s just as much the story of their community, the people of a small Derbyshire village. It’s 1945, a time of change for the whole country but particularly for the characters in the book: the valley in which they live is to be flooded for a reservoir and they must all leave their homes. Even before the waters arrive, stories float to the surface and we learn so much about the people of the valley and their history. It’s a wonderfully touching description of a lost way of life, and when a tragic event occurs drama and pain follows before finally acceptance and understanding. This is the kind of story that resonates with readers long after the final page, and highly recommended.
A Julia Eccleshare Pick of the Month November 2019 | Full of Meg Rosoff’s delightful wit and evident affection for dogs, the is a great return for McTavish the big-hearted rescue dog who is already well-known for the good care he takes of all those around him. This time it is Betty who needs help. When Pa Peachey gets a new job the whole family is upheaved. Everyone is excited about it except for Betty. Not only has she got to move house but she also to say goodbye to her old friends and go to a new school. Betty does not want to be the new girl: she is terrified. Luckily, McTavish thinks of the best possible way to turn her arrival at a new school into a triumph rather than a catastrophe.
December 2019 YA Debut of the Month | This compelling, nuanced tale is set in the town of Lucille in a future society where evil, the ‘monsters’, have been eliminated in an epic struggle by the ‘angels’ to create a better world for their children to grow up in. Jam, our selectively-nonverbal, black, trans heroine, is one of those children. When she accidentally spills her blood onto her mother’s painting, a creature called Pet emerges. Looking like a monster but here to hunt a monster preying on the family of her best friend, a boy named Redemption. But the identities of the victim and the predator are still unknown and Jam and Redemption have to face what their society fails to acknowledge: that monsters exist and hide in plain sight- that evil still resides in humanity. One of the huge strengths of this book is that Jam’s trans status is not there to score diversity points. The story does not centre around gender identity, but also does not ignore the impact upon the character and plot in a very natural, unforced way. Dialogue is used extremely creatively too. Emezi Jam speaks aloud in quotation marks and sign language is indicated with italics and when Jam and Pet speak telepathically, Emezi uses no punctuation marks whatsoever. On top of that, dialects, phrases, and cultural traditions from across African American communities appear throughout, giving a real flavour and authenticity to the narrative. Emezi has spoken of her inspiration being teenagers discomforted by the monsters in plain sight in our current society. This is a thought-provoking reading experience that could inspire valuable discussion in a lot of classroom contexts.
October 2019 Book of the Month | Kate Milner, winner of the 2018 Klaus Flugge Award for most promising newcomer to children’s book illustration has certainly lived up to her laurels with this delicate and subtle picturebook, which packs a real emotional and political punch. It is a cause of great shame to many, in this country and in the 21st century, that more children than ever are living in poverty and that there has been a huge expansion in the use of foodbanks. Mum works really hard and watches every penny, but today is a no money day. Her little girl, who tells the story, takes great pleasure in life from the simple, free activities they share- visits to the library and dressing up in the charity shops. Unlike her humiliated Mum, she loves the visits to the food bank for the drink and biscuits and the kind ladies to talk to. On the way home they play the maybe one day game- dreaming of pets and washing machines and new warm clothes. They go to bed and “because of kind people our tummies are full”. Nothing is laboured in text or image- the colours are subdued but still there. The despair and tiredness of the mother is evident in every expression and nuance of body language, but so is the warmth and love between them and so is the irrepressible spirit of a child who knows they are loved even if as the pictures subtly show us, she is clearly malnourished. This is a book which can be used with a very wide range of children and will encourage empathy and discussion of a very current and appalling crisis in our society.