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Ada Lovelace: Rebel. Genius. Visionary | At once a passionate portrait of a scientifically seminal young woman, and a fascinating account of the lives of well-to-women in the early 19th-century, I Ada lays bare the many faces of Ada Lovelace. Ada the inquisitive. Ada the adventuress. Ada the visionary genius who defied convention to become the world’s first computer programmer, the seeds of which are sown in this portrayal of her early life. Driven by drama and a spirit of affection, this is as lively as it is informative. Fathered by flamboyant, notorious Lord Byron, it’s perhaps no wonder how easily Ada slips “into the unbordered realms of the imagination” as a child living on her grandparents’ country estate. Ada thinks of him often, and wonders why her mother speaks little of him. But then, Ada’s relationship with her strict, distant mother is often strained. Ada’s flighty tendencies jar with Lady Byron’s more rigid intellectual outlook. But they’re both inspired by their Grand Tour of Europe - Lady Byron seizes an opportunity to research ideas for her progressive school, while Ada’s mind is opened to a world of possibilities. Back in England, Ada’s desires are constrained by societal conventions, though female thinkers and mathematicians are among her circle, and then she meets a revolutionary inventor whose work chimes with her own innovative scientific ideas…
August 2020 Book of the Month | Hot on the heels of Happy Girl Lucky comes this second book in Holly Smale’s The Valentines series – a wildly entertaining tale in which aspiring actress Faith seems to have it all, before realising she needs to shirk off the shackles of impossible standards and speak from her own script. Stunning and wealthy, with a mega-famous musician boyfriend – what more could a girl want? And coming from a line of talented actresses, Faith’s future as a major movie star is laid out before her like a red carpet. In her grandmother’s words, “You are a Valentine, darling…The entire world has been handed to you on a plate. All you have to do is not screw it up.” But, despite Faith’s privilege, not screwing up is an impossible task when - also in her grandmother’s words, “there is no intermission, Faith. For us, the curtains are always up.” Constantly in the public eye, everything Faith says or does is scrutinised, often wilfully misinterpreted and, when the truth isn’t juicy enough, the press invents their own. Desperate to keep everyone happy, Faith always says what’s she’s supposed to, but that backfires too: “The Daily Mail has once more referred to you as aloof and an Ice Queen. Darling, if you were a man, that would be a way of saying enigmatic. As a woman, it just means nightmare. You must try to come across as warmer. But not so warm that you look desperate, obviously.” Quite simply, Faith can’t win. What’s more, her auditions aren’t going well either, and it’s not long before everything starts to unravel. Faith’s journey really is an additive rollercoaster – she’s someone to root for, and all the characters are fabulously formed. Readers will truly love “I’ll-do-and-say-and-eat-what-I-want, when-I-want” Scarlett who offers Faith a life-changing sisterly hand. With the novel’s exposure of double standards - and impossible standards - seamlessly thread through the pacey plot, this is feminist fiction at its most thoughtful, thrilling and funny. Find out more as Holly Smale talks to us about her fabulous new trilogy!
Through the tangled identity struggles of authentic characters you’ll truly care about, Alice Oseman’s Loveless extends an understanding hand to aromantic asexuals (people who experience little-to-no romantic or sexual attraction, also known as aro-ace) while guiding all readers through fears of being alone and dealing with the pressure to hook up. Moreover, it’s a thoroughly entertaining, gripping page-turner that shows finding happiness isn’t dependent on romantic love. Georgia is desperate to experience her first kiss before she and her two best friends head to Durham University. After being made to feel “weird” and “disgusting” when she confesses to her peers that she’s never kissed anyone, Georgia seizes an opportunity to snog the one and only crush she’s ever had. When this goes spectacularly wrong in a scene that sizzles with tension and scorching comic timing, it hits her that “I hadn’t ever fancied anyone,” that the reality of kissing and romance “disgusts me.” But still she resolves to “try harder. I wanted forever love. I didn’t want to be loveless.” At Durham, while still struggling to find love, Georgia finds new friends in her outwardly confident, sexually active roommate, and Sunil, president of her college’s LBGTQ society. Sunil’s compassion and personal experiences help her discover who she is, to realise that she’s not alone in not feeling sexual or romantic attraction. Georgia’s journey to discovery is far from smooth, though, with many friendship-threatening, edge-of-your-seat errors made along the way.
June 2020 Debut of the Month | Falling in love, riding out change, figuring out what you want to do with your life – Ciara Smyth’s pitch perfect debut simmers with romance and deep-rooted dilemmas, delivered through witty dialogue and affecting emotional detail. Seventeen-year-old Saoirse (pronounced ‘Seer-sha’- be sure to get it right) is on the cusp of crossing the Irish Sea to read history at Oxford. Except she’s not sure she wants to go. She has more than enough on her plate dealing with her dad’s remarriage, getting over breaking-up with her girlfriend, and coming to terms with her mum’s debilitating illness. She just wants to spend her summer watching horror movies and kissing girls – no strings attached. To that end, Saoirse goes to a mate’s end-of-exams party and gets it on with his cousin Ruby. Irresistibly drawn to Ruby’s good looks and good heart, Saoirse accepts her challenge to embark on a summer romance with all the serious bits left out, in finest romcom tradition. But, as Ruby sagely points out, “the thing about the falling in love montage…is that when it’s over, the characters have fallen in love”. Super smart and funny (“If you are a girl inclined to deface school property, may I suggest the classic penis and balls, as you will avoid suspicion due to stereotyping”), Saoirse is a lead fans of contemporary YA will love and root for - flaws and all - and her journey is a thoroughly entertaining, thought-provoking rollercoaster ride.
Exploring the all-consuming throes of love, malicious secondary school social politics, sexual abuse, and how difficult coming out can be, William Hussey’s Hideous Beauty is a top-notch YA thriller with hard-hitting emotional resonance. Forced by social media exposure to come out earlier than planned, Dylan and his gregarious boyfriend Ellis reveal their relationship to the world in spectacular style at a school dance: “Okay, Dylan, this is it. No going back. The closet door is firmly barred behind you, chained and bolted. No re-entry, no refunds. It’s gay all the way from here on out.” Riding high after an unexpectedly jubilant response to their revelation, tragedy strikes when they leave the party - Ellis becomes angry and their car plunges into a lake. While Dylan is rescued, Ellis drowns, leaving Dylan wracked with grief and guilt: “I deserve the pain. I deserve the crazy. I deserve a messed-up hand. No one’s taking these things away from me.” Set on trying to “find out who pulled me out of that car and why they left Ellis to drown”, it’s not long before Dylan stomps into a viper’s nest, uncovering jaw-dropping truths that set him - and readers – reeling. With his family less than supportive, at least best friend Mike remains at Dylan’s side, even though he’s undergoing chemotherapy for leukaemia. Gripping, moving and unflinchingly honest, this is a fiercely affecting novel, told through the cleverly interwoven collision of two timelines.
June 2020 Debut of the Month | At seventeen, Brooklyn hipster Cal is a successful social media journalist accustomed to living in the public eye, with a whopping 435,000 followers on the FlashFame app. But even Cal isn’t ready for the unforgiving media storm he’s thrust into when his pilot dad is shortlisted for NASA’s Orpheus mission to Mars. Initially dead against leaving Brooklyn, Cal begins to wonder whether “maybe Clear Lake, Texas, has a story out there just waiting for me to uncover.” And then there’s handsome Leon, one of the other “Astrokids”, who’s set his heart pounding before they’ve even met. On arrival, and immediately thrust into the spotlight by StarWatch reality TV show, Cal finds himself “admitting I like our new home, even this town”, which in turn “feels like I’m abandoning my old life.” Maybe this is down to his contradictory nature - Cal is anything but a straightforward teenager. He doesn’t think like one. He doesn’t speak like one. Indeed, his thought processes and dialogue can seem out of kilter with his age. He needs everything just-so, but at the same acts impulsively. For example, he can’t stop himself from broadcasting news about his dad to his followers, which - as predicted - results in him facing the wrath of StarWatch. Cal’s settling-in has a lot to do with his rollercoaster romance with Leon. It’s starts out with the thrust of a rocket launch (“This crush is strong. This crush is too powerful. This crush will be the end of me”), and then comes a crash to earth alongside tragedy striking the mission. In the aftermath of this, Cal finds himself working to expose Starwatch’s agenda, both to clear his name and save the mission, and the truths revealed sure ain’t pretty. Covering mental health issues (via Leon’s depression and Cal’s mom’s anxiety) alongside a whirlwind coming-of-age gay love story, The Gravity of Us is an entertaining YA debut that gives many underrepresented folk a chance to see themselves on the page, with the added kick of space exploration and media ruthlessness.
Following on from Lily’s Just Fine, this Scottish seaside-set romance tackles issues of self-confidence and coming-of-age confusion with a lovely lightness of touch. Alongside a sweet rollercoaster romance, the author explores how difficult it can be to find your way in the world, how difficult it is to make life-changing decisions. Gemma is one of life’s self-doubters. Painfully unsure of herself, she’s the polar opposite of her super-confident, super-enthusiastic best friend Lily, whom we met in the first of this four-book series. A talented musician, Gemma’s been offered an audition at the prestigious Glasgow Conservatoire, but she’s not sure she can face it, or if this is what she really wants. Meanwhile, Lily’s ex-boyfriend is already at uni in Glasgow. Confident coaster Jamie seems to have the world at his feet, but beneath his happy-go-lucky exterior, Jamie’s struggling - failing his assignments and only on this course due to parental pressure. As it all gets too much, he and Gemma strike up an unlikely friendship - and more - when Jamie convinces her to form a band with him. The path of their romance is far from smooth, with Gemma doubting herself at every turn, and Jamie struggling to find a new life course, but the cute couple carry readers with them every step of the way. You can’t help but root for Gemma to be happy, to feel at ease, to find her way in the world. And Jamie too. Far from being the cocksure young man people take him to be, he’s also a lost soul, floundering to find his way. With a sweet sub-plot about mentoring and empathy alongside the romantic drama, this a fun summer read with emotional wisdom.
The highly-anticipated and brilliantly crafted crime-thriller sequel to the no.1 debut of 2019, A GOOD GIRL'S GUIDE TO MURDER Pip Fitz-Amobi is not a detective anymore. With the help of Ravi Singh, she released a true-crime podcast about the murder case they solved together last year. The podcast has gone viral, yet Pip insists her investigating days are behind her. But she will have to break that promise when someone she knows goes missing. Jamie Reynolds has disappeared but the police won't do anything about it. And if they won't look for Jamie then Pip will, uncovering more of her town's dark secrets along the way... and this time EVERYONE is listening. But will she find him before it's too late? Perfect for fans of One of Us Is Lying, Eva Dolan, C L Taylor, We Were Liars and Riverdale
Award winning author Jenny Valentine is justly renowned for never using three words where one will do, but every word she uses will count. Hello Now is another short novel that punches well beyond its weight. Every novel she writes is completely different, but you always know that you are in for an unforgettable reading experience. So, you would not expect the obvious wish fulfilment fantasy love story of finding true happiness with the perfect time-travelling love object and while that is the bare bones of the story of Jude and Novo, what we get is so much more. Jude is cleverly non gendered throughout the book and so this romance can take on multiple interpretations. The mechanics of Novo’s existence are never logically explained either, but we do have an intense dive into the powerful emotion that often seems beyond rationality and beyond time. It is only when Novo meets Henry, the old reclusive sitting tenant in the house Jude has just moved into, that Jude realises the harsh dilemma facing them. In one of the most touching scenes, Henry and Novo recognise each other for what they are. As Henry later explains to Jude alone, if Novo stays with Jude in her present time, he sentences himself to eternal loneliness once Jude inevitably dies, the same loneliness that Henry currently endures. A sacrifice that Novo is desperate to make but one that Jude cannot live with. Doing what is right is not always easy but embracing the moment, embracing change, and moving forward after loss are lessons worth learning. Exquisitely done and a thought provoking, rewarding read.
In this beautiful, epic coming-of-age novel, an old tale is rewoven as a stunning YA story by well-known Irish author/illustrator Marie-Louise Fitzpatrick. I kept clear of Dog Cullen. Till the summer we turned seventeen, the summer the dolphin came to Carrig Cove . . . Donegal, 1976 When a dolphin takes up residence in Carrig Cove, Emer and her best friend, Fee, feel like they have an instant connection with it. Then Dog Cullen and his sidekick, Kit, turn up, and the four friends begin to sneak out at midnight to go down to the beach, daring each other to swim closer and closer to the creature . . . But the fame and fortune the dolphin brings to their small village builds resentment amongst their neighbours across the bay, and the summer days get longer and hotter . . . There is something wild and intense in the air. Love feels fierce, old hatreds fester, and suddenly everything feels worth fighting for.
Shortlisted for the CILIP Carnegie Medal 2020 | May 2020 Debut of the Month | Winner of the Stonewall Book Award | Shortlisted for the Jhalak Prize 2020 | Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
Like When We Collided and Open Road Summer, The Map from Here to There demonstrates Emery Lord’s talent for capturing the exhilaration and angst of characters on the cusp of adulthood. “I was beginning to think that half of growing up was figuring out when to let go and when to hold on,” Paige muses partway through her story journey, but being an anxiety prone over-thinker, that’s not an easy conundrum to crack. After the pain of her first boyfriend passing away a few years back, life has taken an upward turn. She has a set of supportive friends, she’s excited by the prospect of studying screenwriting, and she’s besotted with her new boyfriend Max. But having such an active life – working shifts at a cinema, applying to college, taking on a theatre internship, wanting to spend time with Max and her friends - begins to take its toll. Paige wants it all, but big decisions must be made, and the trouble is, saying yes to one thing (like choosing where to go to college) means saying no to another. When fatalism kicks in and affects her close relationships, Paige takes heart from her mom’s wise words: “As much as I love a pro-and-con list – and you know I do – sometimes you have to ignore all of that. Your gut instinct can say a lot.” Authentic, honest and shot through with empathy, this offers a helping hand to young adults navigating similarly confusing crossroads, alongside being an out and out entertaining story.