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Of all Hans Christian Andersen’s tales, the Emperor’s New Clothes is the one that feels the most relevant, and naughty. In Peter Bentley’s retelling, King Albert-Horatio-Otto the Third is a dandy with a passion for the most outrageous outfits, changing them throughout the day – he even changes outfits to go to the loo. His obsession and his vanity leave him wide open to being conned by the two ‘fashion designers’ who turn up to make a special suit for his birthday, one so special that only the wisest and cleverest can see it. Whether you are familiar with the story or not, it’s hilarious and oh so satisfying to see the king exposed to all in his birthday suit. Bentley’s rhyming text is as smooth as the king’s bottom, and Claire Powell has great fun illustrating the designers and the king’s courtiers and staff, not to mention those fabulous clothes. This will have everyone in stitches.
15-year-old Yūki Hara Jones is only ¼ Japanese, but she has a deep bond with the country and her beloved grandpa there. Suffering badly from anxiety she feels she will be helped by a visit to see him. Her grandpa, a renowned Manga artist, feels she can be helped by rediscovering the small girl who loved to draw, but just as they are opening her old albums, the earthquake hits and although she survives he does not. Trying to recuperate back in England she can still feel there is unfinished business in Japan and is determined to try to understand it. Helped by her friend Taka, who has also lost everything in the disaster and has his own demons to follow, they take their quest illegally back into the disaster zone. This is an incredibly intense and atmospheric read- the prose descriptions of the disaster and its aftermath are breathtakingly powerful. But it is also a story suffused with Japanese legend and modern-day ghost stories. Manga is an important theme throughout the book - Yūki’s recovery is bound up with the creation of her own manga story and manga is so important to the character of her grandpa and her own love of Japan and so it is entirely appropriate that manga is used to tell the story. The superb drawings seamlessly reveal the other worldly and spiritual nature of Yūki and Taka’s story and the multi-layered whole becomes a truly immersive and compulsive reading experience that will linger long in a reader’s thoughts. Highly recommended.
December 2020 Book of the Month | A Julia Eccleshare Pick of the Month November 2020 | In the best traditions of mythology, The Three Wishes is a tough but ultimately lyrical version of the story that explains how Father Christmas can visit so many children in one night and why he has a red coat. Set long ago in a country that is far off in the frozen north where there is a strong community of families who live by hunting and foraging while their children look after the reindeer, it tells how a young boy, lost in deep snow in the forest, is saved from death by finding a mysterious cave full of magic and wonder from another world. Once a year the boy returns to his own world, checking on his family and taking them presents. One year, he arrives on a magical flying sleigh and his family give him a beautiful red outfit all lined with fun. From that day on, on one night of the year he rides around the world taking gifts to children everywhere. Evocative, timeless illustrations bring this imaginative story vividly to life. You can find more wintry & festive stories in our Best Books for Kids this Christmas collection!
The Twelve Days of Christmas is as much a part of the festive season as sleigh bells jingling and Lara Hawthorne brings the song alive in this gorgeous picture book, filling beautiful scenes with the cavalcade of gifts and giving it all a sense of movement, joy and celebration. The trappings of Christmas are present in each spread – spot the holly, the paper hats, and the Christmas baubles on each page amongst the birds and leaping musicians – but the background outdoor scenes are green fields, particularly suited to her folk-art style illustrations. There’s so much to look at and each turn of the page presents a completely different scene – I particularly liked the ten lords, who go a-leaping right across the roof of a house, so that they’re almost flying across the page. The full lyrics are repeated in the final pages along with a special author’s note about the poem too. A Christmas book to be enjoyed all year round. You can find more wintry & festive stories in our Best Books for Kids this Christmas collection!
An Anthology of Modern Russian Folk Tales | Hot on the stylish heels of Gamayun Tales I, this second anthology of Alexander Utkin’s stunning Gamayun Tales series of graphic novels is feast for all the senses - the artwork is bold and evocative, the storytelling thrillingly energetic as Gamayun, an all-seeing, all-knowing magical human-faced bird, recounts three fantastical Slavic folktales. This anthology opens with an enthralling version of one of my all-time favourite folk-tales, Vasilisa and the Doll, in which young Vasilisa falls into the clutches of Baba Yaga (the mother of all witches) due to the talisman doll her mother gave her on her deathbed. Vasilisa’s fear on sighting Baba Yaga’s chicken-legged house, illuminated by glowing skulls, is palpable, with an ingeniously effective shift in colour palette and perspective. Then we move to epic two-parter, The Golden Apples - “take a bite of an apple and it will bring relief from any sickness or injury. Eat the whole apple and any illness will be cured.” The question (and adventure) is, can these magical fruits cure an old king of his illness? Alongside presenting an epic visual story-telling experience on every page, the book is also packed with witty quips, making it every bit as entertaining as it is thrilling (and fearsome too, in places).
Bethan Woollvin won the Macmillan Children’s Book Competition with her first book Little Red and has since produced some wonderfully engaging picture books all looking at elements of traditional fairy tales. I Can Catch a Monster is the story of Erik, Ivar and Bo who live in a land of forests and monsters. Erik and Ivar set off to catch some monsters for themselves, leaving their sister Bo behind as she is ‘too small’. Bo knows she is smart and brave, so she sets off to hunt her own monster. The monsters Bo meets are varied and include a Griffin, a Kraken and a dragon – but rather than fight them (as she knows her brothers will try) she learns something from each of them and becomes the centre of humanity in the book. This picture book tells the story in a series of illustrations which give the impression of being made in old printmaking techniques using a limited palette of colours which emphasizes the bold, simple illustrations used throughout. As one might hope– Bo turns out to be bold, to have more understanding of the natural world – and to be a brave female role model for the readers. This simple take on traditional quest tales will be a favourite – and provides a lovely counterpoint for the old tales with all their slaying and death! Bethan was once asked to describe her books in three words – she chose ‘bold, dark and sneaky’ *– this is most definitely all of those but also delightful and endearing – do read it!
Shortlisted for CILIP Kate Greenaway Medal 2021 | Starbird is an original fable about love, freedom, and the wisdom of children, who are able to see more clearly than the adults around them, and Sharon King-Chai's intricate illustrations of plants and animals are utterly beautiful.
An Encyclopedia of Mythical Beasts and Their Magical Tales | Monsters, gods, tricksters and shapeshifters, you’ll find them all in this encyclopedia of myths. The descriptions, in words and full colour illustrations over double page spreads, are awe-inspiring and no wonder, mythical creatures have been stalking the imaginations of man for thousands of years. From the Americas, we meet the feathered Quetzalcoatl, the god of light, who protects humans from danger, and also the monstrous Mapinguari, who roams through the undergrowth of the Amazon. From the other side of the world, Shenlong, the Spirit Dragon, controls the wind and clouds, majestic and benign. The entries are interspersed with the old stories, which explain our world or show us the best ways to behave. It’s a wonderful way of bringing the world together and the tales told are as fascinating today as they have ever been. Handsomely illustrated this is an eye-opening, inspiring reference book.
This is a reinvention of the most radiant, vital kind; an inspirational re-working of The Twelve Dancing Princesses to devour over and over, and to share aloud. Following the death of his wife, Queen Laurelia, King Alberto “became the sort of person who ate a whole cake without offering anyone else a slice, and who punished his girls for things that weren’t their fault at all.” While Queen Laurelia had “been the one watching them, nurturing their imaginations, their educations”, the King takes away his daughters’ freedoms in the name of keeping them safe. The palace is transformed into a tomb, and “only melancholy was allowed to illuminate the girls’ days”. But brave, clever Frida stands up to her father. “This isn’t fair, and you know it,” she protests. “You cannot tell us how to grieve”. And then, with the grace and strength of a lioness and the potency of her imagination, Frida leads her sisters in a fight to re-find life. The writing pirouettes with the lithe power of a devoted dancer, with Angela Barrett’s elegant illustrations in perfect accord. What a sumptuous, stirring celebration of sisterhood this is. For more books with a feminist feel check out Work it Girl - Inspiring and Informative Books on Feminism.
Bethan Woollvin won the Macmillan Children’s Book Competition with her first book Little Red and has since produced some wonderfully engaging picture books all looking at elements of traditional fairy tales. I Can Catch a Monster is the story of Erik, Ivar and Bo who live in a land of forests and monsters. Erik and Ivar set off to catch some monsters for themselves, leaving their sister Bo behind as she is ‘too small’. Bo knows she is smart and brave, so she sets off to hunt her own monster. The monsters Bo meets are varied and include a Griffin, a Kraken and a dragon – but rather than fight them (as she knows her brothers will try) she learns something from each of them and becomes the centre of humanity in the book. This picture book tells the story in a series of illustrations which give the impression of being made in old printmaking techniques using a limited palette of colours which emphasizes the bold, simple illustrations used throughout. As one might hope– Bo turns out to be bold, to have more understanding of the natural world – and to be a brave female role model for the readers. This simple take on traditional quest tales will be a favourite – and provides a lovely counterpoint for the old tales with all their slaying and death! Bethan was once asked to describe her books in three words – she chose ‘bold, dark and sneaky’ *– this is most definitely all of those but also delightful and endearing – do read it!
Shortlisted for the Excelsior Award White 9+ KS2 | Created by artist duo Metaphrog, this version of the chilling story of Bluebeard plunges readers into a vivid fairytale world that swaps idyll for nightmare with the turn of a page. Eve’s dreams of a future with her childhood sweetheart Tom end when she is chosen by Bluebeard to be his wife. Her neighbours in the village are suspicious of him and believe the forest around his castle is enchanted but his wealth and apparent generosity win them and Eve’s family over. Trapped in his castle with its labyrinth of corridors and locked doors, Eve eventually finds herself at the room she’s been told never to enter and discovers her husband’s terrible secret. In this version, Metaphrog allow her a sister to help in her trial and the chance to win her happy ending. With a palette of brooding purples and blues and luminous reds, orange and pink - sunsets and sunrises - the book perfectly balanced menace and beauty in a story that will entrance readers of all ages.
May 2020 Debut of the Month | There have been many versions of the moral tale of the crow and the peacock and this one from debut picture-book artist Jo Fernihough is particularly attractive. The vibrant mixed media and collage images are full of movement and expression and immediately catch the reader’s attention. Crow is living happily and contentedly until he starts to compare his feathers and his song with other birds. From the dove to the nightingale, to the cockerel to the swan, each bird seems more magnificent than the last and crow is sure each one must be the happiest bird alive, but each in turn direct him to a bird they are envious of. But when he finally reaches the magnificent peacock he learns that he himself is the subject of envy. He is free to sing and fly free compared to the caged peacock. Crow and the reader learn the lesson about what is really important in life and that one must count your own blessings. A strong message for the current situation and beautifully conveyed in nicely repetitive text and imaginative use of typography as well glorious colour. A really worthwhile addition to the library.
