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Zana Fraillon was born in Melbourne, but spent her early childhood in San Francisco. Her 2016 novel The Bone Sparrow won the ABIA Book of the Year for Older Children, the Readings Young Adult Book Prize and the Amnesty CILIP Honour. It was also shortlisted for the Prime Minister's Literary Awards, the Queensland Literary Awards, the Guardian Children's Fiction Prize, the Gold Inky and the CILIP Carnegie Medal.
She spent a year in China teaching English and now lives in Melbourne with her three sons, husband and two dogs. When Zana isn't reading or writing, she likes to explore the museums and hidden passageways scattered across Melbourne. They provide the same excitement as that moment before opening a new book - preparing to step into the unknown where a whole world of possibilities awaits.
Twig (a boy) wakes in the afterlife with vague memories of his Da, here he meets a Raven, Kruuk, to help guide him into Heaven where he will be part of the great forgetting. But Twig wanders off the path and meets the Gatherer, who gives him the Lost Soul Atlas, a skeleton key and a bag of bones with which to open Crossings between the physical world and the hereafter. Can Twig open all the Crossings whilst being chased by the Officials? If he opens them will his memories drag him into the real world and keep him there, in which case he will fade before he finds out what happened to him before he died…. He will forget his close ‘blood family’ friend Flea – who is also a street child and a pick pocket. This is a thought-provoking look at life for street children, how they survive against the odds, the forces lined against them as they try to live, and the lack of choices they have when forced to thieve to keep themselves alive. It is an exploration of loyalty amongst friends and family. There are scares - and lots of caring - but ultimately it is a song to the strength of the human spirit. The author was once told “to shine a light in all the dark places” – and much as one might expect from knowledge of Fraillon’s previous prize-winning books – this book does exactly that, using a richness of language that both exhilarates and makes you cry. It is both timeless and ageless having a wide appeal. A powerful read I would highly recommend.
A poignant and poetic novel that gives voice to the oft-forgotten children imperiled to trafficking and slavery. Eleven-year-old Esra, storyteller Miran and six-year-old Isa have been enslaved by a gang. They’re locked in a room beneath the house and must tend to The Jungle. “The tattoo on my arm… says I am owned”, Esra explains, but she knows a different truth. She knows that no marks on her skin can say who she really is. “One day, I will be free”, she resolves even as she’s being beaten. There’s a chance to escape, but Miran is too injured to do so. “With our souls tied together, we won’t ever be apart”, he whispers before urging Esra to flee with Isa. While Miran is hospitalised and captured by the police, Esra struggles to keep up her spirits. Then she and Isa form a bond with a “strange” boy named Skeet and together they make a man from the mud of the river. When Riverman takes on a life of his own, he might just lead them to the freedom they’ve been seeking. I adored the author’s previous novel, the hauntingly moving The Bone Sparrow, and this more than confirms her majestic writing skills, and a style that will surely be adored by fans of David Almond. By turns harrowing, heart-wrenching, and magical, this is an incredibly powerful - and incredibly important - novel.
Longlisted for the UKLA 2018 Book Award | Shortlisted for the CILIP Carnegie Medal 2017 and awarded the Amnesty CILIP Honour | Shortlisted for the Guardian Children's Fiction Prize 2016. | A heartfelt, harrowing insight into life as a Rohingya refugee in an Australian detention centre, told through the unforgettable voice of an unforgettable boy. Subhi is one of the Limbo kids in a permanent Australian detention centre, the first to be born in the camp after his Maá and big sister Queeny fled violent persecution in Burma. While he’s only experienced life within the cruel confines of the camp, Subhi’s rich imagination has conjured a magical, solace-giving world in which the Night Sea from his Maá’s tales brings him treasures from his dad. Stories are Subhi’s lifeline. He needs them “to make my memories” and imagines a blanket of stories, a “gigantic blanket big enough to warm everyone”. A new story treasure transforms Subhi’s world in the form of Jimmie, a local girl who finds her way into the camp. She too knows heartache. She’s lost her mum, who used to tell her special tales and gave her a bone sparrow necklace that “carried the souls of all her family”. When Jimmie enters Subhi’s life, he wonders if she’s his guardian angel, though he hadn't expected an angel to have more holes in her clothes than him. And, on meeting Subhi, Jimmie realises that she’s “never had a friend she wanted to share everything with before”, and so she shares her mum’s stories with him, stories he reads to her since she’s unable to read them herself. Subhi's unique voice will weave its way into your heart and under your skin. His descriptions of life in the centre are hauntingly evocative. You feel, for example, the heat of days that get his “skin creeping” and make everything “jangly and loud and scratchy”. Through Subhi, readers experience how it might feel to have no home or voice, and how friendship can lighten the darkest of circumstances. One hopes, as Subhi’s Maá says, that “someday they see we belong.” Both elegant and raw, this is an important and timely novel that bears witness to the risks people take to make their voice heard, and to the resilience of the human spirit.
Longlisted for the UKLA 2018 Book Award | Shortlisted for the CILIP Carnegie Medal 2017 and awarded the Amnesty CILIP Honour | Shortlisted for the Guardian Children's Fiction Prize 2016. | A heartfelt, harrowing insight into life as a Rohingya refugee in an Australian detention centre, told through the unforgettable voice of an unforgettable boy. Subhi is one of the Limbo kids in a permanent Australian detention centre, the first to be born in the camp after his Maá and big sister Queeny fled violent persecution in Burma. While he’s only experienced life within the cruel confines of the camp, Subhi’s rich imagination has conjured a magical, solace-giving world in which the Night Sea from his Maá’s tales brings him treasures from his dad. Stories are Subhi’s lifeline. He needs them “to make my memories” and imagines a blanket of stories, a “gigantic blanket big enough to warm everyone”. A new story treasure transforms Subhi’s world in the form of Jimmie, a local girl who finds her way into the camp. She too knows heartache. She’s lost her mum, who used to tell her special tales and gave her a bone sparrow necklace that “carried the souls of all her family”. When Jimmie enters Subhi’s life, he wonders if she’s his guardian angel, though he hadn't expected an angel to have more holes in her clothes than him. And, on meeting Subhi, Jimmie realises that she’s “never had a friend she wanted to share everything with before”, and so she shares her mum’s stories with him, stories he reads to her since she’s unable to read them herself. Subhi's unique voice will weave its way into your heart and under your skin. His descriptions of life in the centre are hauntingly evocative. You feel, for example, the heat of days that get his “skin creeping” and make everything “jangly and loud and scratchy”. Through Subhi, readers experience how it might feel to have no home or voice, and how friendship can lighten the darkest of circumstances. One hopes, as Subhi’s Maá says, that “someday they see we belong.” Both elegant and raw, this is an important and timely novel that bears witness to the risks people take to make their voice heard, and to the resilience of the human spirit.
