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J.K. Rowling has said how much she admires Jim Kay’s illustrations for the Harry Potter books and no wonder: he’s the perfect artist for her stories, bringing the people, creatures and natural world of her imagination to life in such a way that they seem to spill out from the pages. The Goblet of Fire is where things start to take a turn for the dark in the Harry Potter stories, and Kay is more than up to that. The book opens with a terrifying visit to the Riddle House, home to Lord Voldemort. Surrounded by brambles and thorns it’s a dark, malevolent presence on pages that are heavy with menace. It’s not all death and destruction of course – there are many comic images too: a wonderful representation of the heavily stamped letter Mrs Weasley sends to the Dursleys; fabulous paintings of Hogwarts witches and wizards refusing to be bound by their frames. And best of all, there are dramatic paintings of dragons, so realistic you can practically hear them snorting as you turn the pages. It’s glorious – a treat for Harry Potter fans old and new, and for anyone who appreciates great illustration.
Prepare to be spellbound by Jim Kay's dazzling full-colour illustrations in this stunning new collector's edition of Harry Potter and the Goblet of Fire. An extraordinary creative achievement by two extraordinary talents, Greenaway Medal winner Kay's inspired reimagining of J.K. Rowling's classic series has captured a devoted following worldwide. Breathtaking scenes and unforgettable characters - including Cedric Diggory, Fleur Delacour and Viktor Krum - await inside as Harry, now in his fourth year at Hogwarts School of Witchcraft and Wizardry, faces death-defying tasks, dragons and Dark wizards ... This beautiful, deluxe edition features an opulent page size and intricate gold foiled line art by Jim Kay on a gem green cloth cover and slipcase; gilt edges on premium grade paper; head and tail bands and two ribbon markers. Each copy is accompanied by a rare pencil study by Jim Kay of Hogwarts School of Witchcraft and Wizardry, printed on art paper and wrapped, creating a stunning souvenir for fans to keep and enjoy. This is the ultimate must-have edition for any Potter fan, collector or bibliophile.
Nominated for the CILIP Carnegie Medal 2019 | Nominated for the CILIP Greenaway Medal 2019 | Katherine Rundell, author of Rooftoppers, Wolf Wilder and The Explorer, fills her first picturebook with the wit, verve and touches of whimsy that distinguish her novels, as well as with a series of typically striking images. Theo is spending a lonely Christmas Eve at home while his parents work late, when four battered old decorations he’s just discovered and added to the tree, suddenly come to life. The robin, tin soldier, angel and rocking horse are a demanding bunch, particularly the horse which eats anything and everything. Following their orders, Theo takes them outside and helps each find what they need, before they in turn transform his Christmas. Emily Sutton’s illustrations are perfect for the story, matching both its sense of tradition and anything’s-possible-magic and adventure. A story that is just right for Christmas but worth reading any day of the year.
It is twenty years since the events of La Belle Sauvage: The Book of Dust Volume One unfolded and saw the baby Lyra Belacqua begin her life-changing journey. It is almost ten years since readers left Lyra and the love of her young life, Will Parry, on a park bench in Oxford's Botanic Gardens at the end of the ground-breaking, bestselling His Dark Materials sequence. Now, in The Secret Commonwealth, we meet Lyra Silvertongue. And she is no longer a child . . . The second volume of Philip Pullman's The Book of Dust sees Lyra, now twenty years old, and her daemon Pantalaimon, forced to navigate their relationship in a way they could never have imagined, and drawn into the complex and dangerous factions of a world that they had no idea existed. Pulled along on his own journey too is Malcolm; once a boy with a boat and a mission to save a baby from the flood, now a man with a strong sense of duty and a desire to do what is right. Theirs is a world at once familiar and extraordinary, and they must travel far beyond the edges of Oxford, across Europe and into Asia, in search for what is lost - a city haunted by daemons, a secret at the heart of a desert, and the mystery of the elusive Dust. The Secret Commonwealth is truly a book for our times; a powerful adventure and a thought-provoking look at what it is to understand yourself, to grow up and make sense of the world around you. This is storytelling at its very best from one of our greatest writers.
An authentic, raw, disturbing portrait of a teenage girl and her descent into a coercive, controlling relationship with an important message about self-belief
Exquisitely gorgeous illustrations accompany a well known fairy tale with a difference, an edge. Tiny Owl Publishing have a series of books called ‘One Story, Many Voices’, where authors and illustrators explore well known fairy tales from different perspectives. Here, the Twelve Dancing Princesses from the Brothers Grimm are transformed into The Secret of the Tattered Shoes by Jackie Morris. I opened the package containing the book and exclaimed in delight. The illustrations by Ehsan Abdollahi carry the story perfectly, the gold glistens, the pears call to be picked, the background as stunning as the puppet-like characters. The story by award-winning Jackie Morris sits boldly on the page, simple, evocative, familiar yet different. The love that Jackie Morris holds for nature shines through, while the ending made me smile, it suits, it feels, well, just so right. The Secret of the Tattered Shoes conjures the traditional fairy tale yet awakens new feelings and thoughts. I absolutely adored this rich and vibrant tale, both for the new interpretation, and the illustrations which adorn it.
Longlisted for the Branford Boase Award 2020 | A lyrical, immersive, and luminous tale of sisterhood, The Girl Who Lost Her Shadow tells of bravery, the power of friendship, and being strong enough to ask for help when we really need it. Emily Ilett, winner of the 2017 Kelpies Prize, is an arresting, vital new voice in children's literature.
October 2019 Debut of the Month | Longlisted for the Branford Boase Award 2020 | Told in narrator Newt’s distinctive phonetic English, this dark debut dazzles with originality and delivers a potent case for combatting inequality. Bearmouth is home to a grim mining business, where men and children labour under inhumane conditions to make their Master wealthy. They work under the earth, under the omniscient Mayker who - so workers are told - “sen us down into the dark Earf/To atone for the sins o our forefarvers an muvvers”. Naïve Newt hasn’t seen daylight in years, but takes pride in being taught to read and write by fatherly Thomas, blithely accepting this lot until the arrival of new boy Devlin. Devlin’s talk of “revolushun” makes Newt feel that things are “unravellin slowly slowly lyke a bootlayce comin all undun.” Life in Bearmouth is beyond bleak, but the sparks of Devlin’s revolutionary spirit catch light and drive Thomas to ask the Master for “more coinage” for the workers, to question why they must pay for essential clothes, to demand to know when the promised safety lamps are coming. Then when tragedy strikes, Newt too realises that things “ent bloody well ryte” and takes on Devlin’s insurgent tendencies, with explosive effects. Emotionally engaging, this searingly original novel about standing up to abuses of power and fighting for freedom is radiant with story-telling excellence.
Shylo is the smallest rabbit in his family, but that doesn’t mean he isn’t strong, courageous and clever too. Indeed, he’s a key member of the Royal Rabbits whose duty it is to protect Queen and country from their warren under Buckingham Palace. When Shylo returns home for a visit, he finds that the peace of the countryside has been disrupted. A no-good rabbit called Harlequin has set up a commune and persuaded the other rabbits that together they’ll find the legendary Golden Carrot, though it will bring great risk to them and national security. He’s reckoned without little Shylo and his fellow rabbits-in-arms though … A perfect mix of excitement and charm, this story also neatly delivers messages about the importance of self-belief, generosity and true courage. There’s a wonderful cast of characters, it reads aloud beautifully and Kate Hindley’s delightful illustrations are full of life and energy.
A magical adventure to delight the imagination. The curl-up-on-the-sofa snuggle of a series from a uniquely talented author. Tilly Pages is a bookwanderer; she can travel inside books, and even talk to the characters she meets there. But Tilly's powers are put to the test when fairytales start leaking book magic and causing havoc . . . On a wintery visit to Paris, Tilly and her best friend Oskar bravely bookwander into the land of fairytales to find that characters are getting lost, stories are all mixed-up, and mysterious plot holes are opening without warning. Can Tilly work out who, or what, is behind the chaos so everyone gets their happily-ever-after? The second enthralling tale in the bestselling Pages & Co series.
September 2019 Book of the Month | Amara knows exactly what she wants for her 12th birthday: to visit her father’s family in New York. She understands it will be very different to Beavertown, Oregon, the small town she’s grown up in, but can’t wait to explore the big city and get to know her family properly. The trip is eye-opening in lots of ways as she learns more about her father and his childhood, about her family, and even her own history. Renée Watson shows us that families are complicated, that it’s never too late to change or make amends, and that we can all carry on learning even as we grow up. Quiet, though full of drama, and skilfully told, this is a touching and thought-provoking story with well-drawn, engaging characters; a book that will make a real impact on its reader.
September 2019 Book of the Month | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
