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A selection of books especially selected for children in Year 10 (14 - 15 year olds) of average reading ability for the 2020/21 academic year.
If your child finds these books are a little challenging try books from the Year 9 list. Our overall mission is to promote reading for pleasure with quality texts that are perfectly pitched for the age group and the curriculum. We have particularly avoided blockbusters, classic or set texts, known to everyone, so that we can include poetry, stunning information texts and inspirational books in which all children and young people can find themselves reflected.
Thanks to our partnership with Browns Books For Students we are able to offer all the books on this list at an exclusive price.
Longlisted for the UKLA Book Award 2022 ages 11-14 | An extraordinary, powerful, and important book, based on the true story of how Liz Kessler’s father escaped from Nazi-occupied Europe thanks to a British couple his family had met once. But what elevates this book about three friends and their different fates in World War Two is the story of Max, the nice, ordinary boy who gradually becomes seduced into hatred and prejudice. The ringing question, ‘What would I do under these circumstances?’ echoes on every page. ~ Francesca Simon
Longlisted for the UKLA Book Award 2022 ages 11-14 | Exhibiting the same intense sense of place as in her highly acclaimed debut, The Smell of Other People’s Houses, and set once again in Alaska and the American West during the 1990’s, this collection demonstrates absolutely remarkable storytelling and authenticity. Every word in each short story counts in bringing another character so vividly to life that we become completely immersed in their lives. These troubled teens encounter love, loss, coming of age, grief, abuse, and friendships with the minutiae of daily life often revealing or foreshadowing a deeper and darker truth. All the narratives share the backdrop of an increasingly devasting forest fire and the history of a little girl’s disappearance. Each story relates to these major events in different ways and the links between the individual stories and these shattering events gradually become apparent. What is also revealed is the universal dichotomy of small communities, where everybody knows everybody and yet does not actually know them at all. The struggle to get your voice heard and for people to accept your truth is at the heart of these beautifully crafted stories. This is a book which should be garlanded with awards and will definitely linger long in the reader’s mind.
Longlisted for the UKLA Book Awards 2022 Information Books 3-14 | What’s the T? is street talk for ‘tell me the truth’ and this is exactly what Juno Dawson sets out to do. This Book is Gay by the same author became a staple purchase for school libraries and this new title absolutely deserves the same treatment and indeed should be purchased for the staff shelf too. This reader is paranoid about the correct language and terminology and I feel far more confident in my understanding now. The excellent glossary is worth the purchase price alone. Although it sets out to answer all the possible questions that anyone feeling body dysmorphia or anybody supporting a friend or family member with similar anxieties, could come up with, my strongest impression was one of moral rectitude. Without being strident or patronising and in her warm, witty and friendly way, the author makes very clear the right of every human being to define themselves and to be able to live their lives without fear. Many misconceptions (often generated by ill-informed or blatantly hateful messages in mainstream and social media) are firmly laid to rest. Notably what is and is not actually possible in terms of treatment for young people under 18. The information and advice given does not sugar coat anything. Nobody could be left in any doubt of the difficulties and the time that it would take to make any sort of transition, nor that there is one simple answer or one simple journey. The fascinating look at the history of transgender in different cultures and the witness statements from trans and non-binary people across the globe, give those of us in our cisgender privilege a salutary wake-up call, which is why this book has value for any sociology, politics or philosophy students too. An essential purchase for secondary schools and a recommended addition to any young person's bookshelf. For more books visit our LGBTQI Literature Collection.
Longlisted for the UKLA Book Award 2022 ages 11-14 | September 2020 Book of the Month | Co-written by award-winning novelist Ibi Zoboi and Dr Yusef Salaam, a prison reform activist, poet and one of the Exonerated Five, Punching the Air is a timely, heartachingly powerful free verse novel. Through its shatteringly succinct lyricism, Amal’s story is a mighty call to action that rouses readers to question the deep-rooted and damaging consequences of racially biased societal systems, while radiating the light and hope of art and Amal himself. Sixteen-year-old Amal is a talented poet and artist, but even at his liberal arts college, he’s victimised by destructive preconceptions, deemed disruptive by people who “made themselves a whole other boy in their minds and replaced me with him.” Amal’s budding life careers off-course when he’s wrongfully convicted of a crime in a gentrified area. Even in the courtroom it feels to him “like everything that I am, that I’ve ever been, counts as being guilty”. Standing before judgemental eyes in his specially chosen grey suit, he’s aware that “no matter how many marches or Twitter hashtags or Justice for So-and-So our mind’s eyes and our eyes’ minds see the world as they want to/Everything already illustrated in black and white.” In the detention centre, Amal considers his African ancestry: “I am shackled again,” he says. “Maybe these are the same chains that bind me to my ancestors. Maybe these are the same chains that bind me to my father and my father’s father and all the men that came before.” He expresses society’s double standards with searing clarity too - Black boys are “a mob/a gang ghetto/a pack of wolves animals/thugs hoodlums men” while white boys “were kids having fun home loved supported protected full of potential boys.” But through the beatings and despair, through anger and frustration, Amal finds solace in the supportive letters he receives from a girl in his school, and his “poet, educator and activist” teacher. By turns soul-stirring and inspiring, this sharp exposure of injustice and testament to the transformative power of art comes highly recommended for readers who love the work of Jason Reynolds and Elizabeth Acevedo. Find a selection of recommended books that celebrate difference in our blog, Diverse Voices.
Shortlisted for the YA Book Prize 2021 | Shortlisted for the Costa Children's Book Award 2020 | July 2020 Book of the Month | With characteristic vision and grace Meg Rosoff has done it again in this exquisite novel that merits a place alongside I Capture the Castle, Bonjour Tristesse and The Lost Estate (Le Grand Meaulnes) for its coming-of-age, loss-of-innocence excellence. Though contemporary, it feels timeless and elementally affecting, much like the Great Godden’s impact on the family whose story it tells. With an idyllic seaside summer stretching ahead, the tingling anticipation of The Great Godden’s unnamed teenage narrator is deliciously palpable: “This year is going to be the best ever: the best weather, the best food, the best fun. The actors assembled, the summer begins.” But there are still two more actors to take to the stage - enter the Godden brothers in a shiny black car. The narrator’s older sister Mattie is immediately smitten by magnetic, handsome, self-assured Kit: “She was desperate to lose her virginity, and what sort of person would say no to Mattie? Surely not some movie star’s kid, fresh off the plane?” Though Mattie is certainly attractive, it’s obvious that charmer Kit has the upper hand of any situation, but might he also be a trouble-maker, as his curt, less-of-a-looker brother warns? Such wonderings underpin some of this novel’s essence. With the stage fully set and summer speeding towards the climax of a wedding, it poses fundamental questions about motivation, and the nature of agency, of lust, of the desire to be seen for who you are. Quivering with unease, passion and paranoia, it also reveals how past experiences engrave themselves upon us, creating fault-lines that may crack and cause future ructions. Sophisticated, seductive and smoothly readable, this is a summer story par excellence, and a coming-of-age tale for all times.
Longlisted for the UKLA Book Awards 2021 | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
Shortlisted for the CLiPPA (CLPE Children’s Poetry Award) | 2021 Shortlisted for the 2021 Branford Boase Award | Shortlisted for CILIP Carnegie Medal 2021 | Winner of the UKLA Book Awards 2021 | March 2020 Debut of the Month | This debut novel was inspired by the author’s work creating Run the World, an organisation that empowers women and girls from marginalised backgrounds through sport and storytelling and the authenticity of this, at times harrowing story, is palpably evident. As is the skill of the accomplished writing which makes great use of typography and layout to really make every word count. This speeds the reader through the narrative, but it also cuts deep to reveal the emotions experienced by our narrator. Amber Rai is only ‘truly alive’ when running and shows great potential. But her alcoholic, abusive, misogynistic father refuses to allow her on the track. She has seen her older sister Ruby denied university and married off against her will and her downtrodden, abused mother is literally powerless to help, trapped as much by illiteracy and lack of English as the violence of her equally illiterate, unemployed husband. Amber has friends and teachers who believe in her, but she cannot explain what really goes on at home. She is a complex and believable character with very real flaws that she painfully recognises: ‘inflicting pain on others/halves your own hurt’. But the story is cleverly structured on The Anatomy of a Revolution and inspired by her reading about revolutions for history, Amber, Ruby and her mother gradually empower each other to take small steps to freedom. This is an important, rewarding, highly empathetic read which, despite the dark subject matter, offers hope but no simplistic solutions.
Longlisted for the UKLA Book Awards 2021 | Shortlisted for the CILIP Carnegie Medal 2020 | May 2020 Debut of the Month | Winner of the Stonewall Book Award | Shortlisted for the Jhalak Prize 2020 | Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
Carnegie winner Ruta Sepetys seems to specialise in illuminating forgotten or unknown aspects of history. The Spanish Civil War may be widely known but Spain lived under Franco until 1975. Rather like post-Apartheid South Africa there was a reconciliation movement that did not pursue retribution for the human rights abuses and crimes of the dictatorship. But this outstanding, impeccably researched novel seeks to shine a light on those crimes. In a fascinating afterword she tells us that studies estimate over 300,000 babies were stolen from their Republican parents. This is indeed a story to shock and horrify but its power comes from the characters and the very human stories she tells. We get different perspectives from different viewpoints and voices, but very cleverly our main guide is an outsider looking in just as the reader does. Daniel is an American boy visiting Spain as his father negotiates a lucrative deal. America’s complicit dealings with the Franco regime are also under the spotlight here. Daniel aspires to be a photojournalist and he naively wants to find the real Spain. He finds fear and suspicion, makes friends and falls in love but tragedy strikes, and he must leave. The full sinister picture is only revealed many years later. This is a book which absolutely demonstrates the power of a story to reveal truth and to develop real understanding and empathy. Perfectly pitched, evocative and utterly enthralling.
Longlisted for the UKLA Book Awards 2021 | Shortlisted for the Costa Children's Book Award 2019 | Empathetic, insightful and buzzing with drama, the brilliant Jenny Downham has done it again in this vital, true-to-life treasure about a young woman’s struggle to stand up to her bully-boy stepfather.“She threw things and slammed things and swore. She was clumsy and rude and had no friends. Her teachers thought her dim-witted. Her family despaired.” On the verge of turning sixteen, Lexi is a firework of frustration. Her furious outbursts are getting worse now John, her soon-to-be-stepdad, has taken over their family home, and his son – Lexi’s best friend (and long-time crush…) – has moved away to uni. On top of that, her younger half-sister is John’s favoured child, while she’s blamed for everything that goes wrong, including - most viciously of all - what happened to her beloved granddad. It’s no coincidence that the intensification of Lexi’s rage coincides with John’s increasingly coercive behaviour. Thanks to his constant criticism and angry desire to have everything exactly how he likes it, Lexi can see that her mum has become a shadow of herself. Trapped in this unbearable situation – one in which no one listens or believes her - what else can Lexi do but kick out?Interwoven with fairy tale motifs that combine to create a satisfying whole at the novel’s heartrending climax, this is a brilliantly exacting exposé of coercive control and emotional abuse, and a powerful portrayal of a young woman’s refusal to give in. Lexy is a dazzlingly-created character that readers will root for and empathise with. Her battle to break the abuse elicits much compassion and sympathetic fury, while her irrepressible wit provokes plenty of laughs.
Longlisted for the UKLA Book Awards 2021 | Ash’s story is “probably the same as anyone else’s, more or less, just perhaps with more gas masks and a goat.” The goat is a Tennessee Fainting Goat named Socrates who lives with the isolated Canary community deep in the Arizona desert. The gas masks Ash mentions are needed by the Canaries on account of them suffering from debilitating environmental illnesses that doctors deny the existence of. And so begins a thoroughly thought-provoking novel that tackles huge health and environmental issues. Ash journeyed to the community in search of his missing stepbrother, Bly. The folk here cannot live in towns or cities due to all the chemicals and smells and electrical fields that trigger incapacitating Multiple Chemical Sensitivities. When Ash gets sick himself he discovers firsthand how it feels to have your symptoms rebuffed by medics who decide, “This is all in your head”, and pretty much declare, “I can’t cure you so you must be mad.” His frustration and pain is tangible. Indeed, Ash’s narrative is brilliantly compelling throughout. He’s a born storyteller whose voice chimes with authentic cadences and detours. Ash and Bly’s poignant family story is intertwined with much food for thought about a diverse spread of subjects - genetics, bacteria, antibiotics and human shortsightedness and greed. As former scientist Finch comments, “We are filling the world full of chemicals that we have precisely no idea about, and one not-so-fine day the chickens will come home to roost. With the canaries.” Ash comes to some sharp realisations too. Under the warm, wise tutelage of Mona, he furiously states that, “one day, doctors are gonna finally realize that there ain’t no god-dang difference between the body and the mind anyhow”. This remarkable novel is underpinned by its acute portrait of fractured folk forging an existence in a fractured world that seems on the brink of end times. But “maybe there’s time for one final chance,” Ash wonders, which will leave readers with a glint of hope and plenty to ponder.
Recent research has highlighted the lack of diverse representation in central characters in books and films and more particularly that when they exist, they are there to highlight an ‘issue’ or social problem. So, this book is doubly important – not only do we have an Asian central character but the main issue at the heart of the book is the power of social media and the challenge to behave in an ethically responsible way- to do the right thing. The issue would have been the same with a white narrator. Added to that we have a joyous cast of characters reflecting the genuinely multiracial context in which real young people live. We have white, mixed race, Asian and Afro Caribbean best friends each humorously riffing on the foibles of their families’ culture and expectations. These are very real characters, high achievers who are not afraid to have fun. The author runs her own teenage reading group and her ear for dialogue is impeccable. Of course, there is a darker, thought provoking side too. Jeevan knows his female English teacher has it in for him and suspects this derives from an innate racism and when the opportunity to record an in flagrante liaison presents itself, this proves irresistible but is almost immediately regretted. Nothing is simplistically handled; all the moral nuances are thoroughly explored through Jeevan’s interactions with his friends and family. Even the implied sexism of exposing a female while protecting a more favoured male teacher becomes a very real issue. Research has demonstrated that low expectations of pupils of colour can be a real barrier to their achievement and it can be all too easy for schools to fall into this sort of systemic racism. But this is a school that, like Jeevan, can come good in the end. A book to confound and challenge expectations as well as to genuinely entertain.
Encompassing works from ancient sages, classic poets, well-known thinkers and emerging contemporary innovators from all walks of life, this involving, inclusive collection inspires, entertains, enthrals and emboldens. Alongside enjoying the work of widely-esteemed names (including Sappho, George Eliot, Sylvia Plath, Carol Ann Duffy, Jackie Kay, Christina Rosetti, Maya Angelou, Emily Dickinson and Margaret Atwood), it was a pleasure to discover contemporary poets whose work I shall seek out, among them Ruth Awola and Remi Graves, and lesser-known names from the past, for example Edith Södergran and Astrid Hjertenaes Andersen. If the diversity of voices is rich, so too are the themes, with growing up, friendship, love, nature, body image and protest covered in staggering depth and diversity. This varied chorus of bold, incisive voices makes for a collection to be savoured and shared.
October 2018 Debut of the Month | Awarded the Amnesty CILIP Honour commendation from the Carnegie shortlist 2018 | Shortlisted for the CILIP Carnegie Medal 2018 | One of Our Books of the Year 2017 | Longlisted for the UKLA 2018 Book Award | In a Nutshell: Fighting for Justice | Black Lives Matter | | Stunning, vital wake-up call of a novel about racism, social inequality and not giving up told through the eyes of an incredible, unforgettable sixteen-year-old. Starr straddles two very different worlds. She has one foot in Garden Heights, a rough neighbourhood ruled by gangs, guns and dealers, and the other in an exclusive school with an overwhelmingly wealthy white student population. One night she’s at a party when gunshots are fired and Khalil, her friend since childhood, takes her to his car for safety. Khalil is unarmed and poses no threat, but he’s shot dead by an officer right in front of her. It will take a lot of courage to speak to the police, and to face the media who choose to highlight that Khalil was a “suspected drug dealer”, while omitting to mention that he was unarmed. But, with their neighbourhood under curfew and a tank on the streets, Starr risks going public. Danger escalates as the hearing approaches (and beyond), but Starr isn’t about to give up fighting for Khalil, and for what’s right. Alongside the intense struggles and conflicts faced by Starr’s family and community, there are some truly heart-melting moments between Starr and her white boyfriend Chris (their shared love of the Fresh Prince of Bel Air is super cute), and also between Starr and her parents. Complex, gripping, stirring and so, so important – I can’t recommend this remarkable debut enough.
Shortlisted for the UKLA Book Awards 2019 | July 2018 Book of the Month | Shortlisted for the YA Book Prize 2018 | Shortlisted for the Centre for Literacy in Primary Poetry Award 2018 | One of Our Books of the Year 2017 | Shortlisted for the Costa Children's Book Award 2017 | | A book to break your heart, quicken your blood and stir your soul by one of the most outstandingly distinctive writers to have emerged in a long, long time. New Yorker Joe Moon was only seven when he took the call in which his big brother Ed told him he'd been arrested because “they think I done something real bad”. That “something” led to Ed winding up on death row, convicted of murdering a cop, though he insists he’s innocent. Ten years later, now Ed’s execution date has been set, Joe travels to Texas to say goodbye. The sublimely-formed structure slips between present and past, recounting the brothers’ troubled upbringing - how their Mom took off; how Aunt Karen took control and decided that Bible study and never mentioning Ed again was the only route to their salvation. While she insists that there’s no point wasting life or money helping someone who wasn’t sorry, Joe sees things differently. “He's my brother,” and that’s really all that matters. He has to see him. Lawyer Al, who’s taken on Ed’s case for free, offers some hope, but time is running out. “It's better to be guilty and rich, I reckon,” Joe remarks, as he experiences the excruciating injustices of a legal system in which the harshness of a sentence depends on where a crime takes place, who the victim was, and who you can afford to pay to represent you (crucially, Ed had no representation when he was first arrested). Once again, Crossan's free verse form is breathtakingly powerful - always the right word, in the right place, at the right time. Yes, this is harrowing and heartbreaking, but the kindness of the strangers Joe meets in Texas is achingly uplifting, as is the deep bond of love between Joe and Ed. This really is a magnificent feat of writing.
Shortlist for the UKLA Book Award 2019 | Winner of the YA Book Prize 2018 | Shortlisted for the CILIP Carnegie Medal 2018 | In a nutshell: tense, super-suspenseful novel based on harrowing real life events | After the Fire was inspired by the Waco siege in Texas 1993 when 82 members of the Branch Davidian sect and four US government agents died in a fire fight after a long siege. It’s not a fictionalised version, but Hill imagines life in the camp and as a survivor. Moonbeam, his central character, is beginning to doubt the teaching of Father John and to comprehend the methods he uses to control his followers. A survivor, she’s being coaxed to tell the story of the events that led up to that deadly confrontation with ‘The Authorities’. The tension rarely abates, and Hill makes readers empathise with Moonbeam’s confusion and fear. He also makes us desperate to discover the secrets she’s keeping, and long for her to achieve the freedom that’s always been denied. One of the most gripping and suspenseful books you’ll read all year.
A special 10th Anniversary edition with exclusive extra behind-the-scenes material from the author. This is the story of a street of ordinary German people living in the horrors of the Nazi regime. Interestingly it is narrated by Death but the central character is an 11-year old girl who steals a gravedigger’s handbook and gets hooked on reading. It’s grim yet uplifting, immensely sad yet light in style and touch. A very interesting view of World War II and an unforgettable book, it’s aimed at both children and adults and should be read by both.
Shortlisted for the UKLA 2018 Book Award | One of our Books of the Year 2016 | Alpha hopes that his wife and little son are in Paris and he’s desperate to see them. Denied a visa to travel he must make the long, long journey from his home in the Cote D’Ivoire to Europe as an illegal immigrant, or as he says ‘adventurer’. The story is told through striking images, mostly black and white, colour is used sparingly; sophisticated yet childlike too they vividly depict the people and places of his journey and each one has the power to bring the reader up short. The text too equally demands and holds our attention. Though this is very much one man’s journey it’s one undertaken by many thousands of others and, as Michael Morpurgo says in his introduction, it’s a story we all need to hear and to understand.
One of our Books of the Year 2016 | Longlisted for the UKLA 2017 Book Award | Shortlisted for the CILIP Carnegie Medal 2016 | Shortlisted for the Children's category of the Books are My Bag Readers Awards 2016. | Daring, beautifully written, full of ideas that will bring the reader up short, The Rest of Us Just Live Here is a dystopian adventure that mocks dystopian adventures while acknowledging the genre’s power to reveal truths, particularly about teenage lives. As one band of teenagers – those special ‘indie kids’ familiar from so many YA novels – battle to save the world from the Immortals, the main plot of the novel concerns another group of young people. Mikey is getting through his teenage years with the help of his friends and by focusing on graduating and leaving home. He also wants to declare his love for his friend Henna. It’s enough for anyone to cope with, the possibility of someone blowing up school only adds to his problems. The indie kids’ story is told entirely in chapter head summaries, the real drama is Mikey’s, and of course his story means the most to the rest of us. Original, funny, true, it can only be Patrick Ness.
Winner of the 2015 Guardian Children's Book prize -Winner of the 2015 Peters Book of the Year 'Teen Fiction' Award | Award-winning David Almond is at his lyrical best in this eloquent, tender and ultimately devastating contemporary teenage love story which draws lightly but to great effect on the story of Orpheus and Eurydice. Camping on a beach near home as a break from school and its pressures, a group of teenagers, minus their friend Ella, come across Orpheus, a wandering musician. No one knows where he comes from or whether he will appear again but his music is so special that Claire plays it down the phone to Ella. And Ella is entranced. But who is Orpheus? The power of love and the terrible danger it can pose drives this exceptionally touching and thoughtful story.
Winner of the Carnegie Medal 2014. | This is a hard-hitting novel which has divided opinion since winning the 2014 Carnegie Medal. Whilst having great literary merit, in Lovereading's view it is unsuitable for younger teenagers. The Bunker Diary is award-winning, young adult writer Kevin Brooks' pulse-pounding exploration of what happens when your worst nightmare comes true - and how will you survive?
This is a brilliant coming-of-age story set against the backdrop of the Cold War and events leading up to the Cuban Missile Crisis. The story is told in flashback by Clem when he is living and working in New York City as a designer, and moves from the past of his parents and grandmother to his own teenage years. Not only the threat of explosions, but actual ones as well, feature throughout in this latest novel from one of the finest writers working today.