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Shortlisted for the YA Book Prize 2021 | With characteristic vision and grace Meg Rosoff has done it again in this exquisite novel that merits a place alongside I Capture the Castle, Bonjour Tristesse and The Lost Estate (Le Grand Meaulnes) for its coming-of-age, loss-of-innocence excellence. Though contemporary, it feels timeless and elementally affecting, much like the Great Godden’s impact on the family whose story it tells. With an idyllic seaside summer stretching ahead, the tingling anticipation of The Great Godden’s unnamed teenage narrator is deliciously palpable: “This year is going to be the best ever: the best weather, the best food, the best fun. The actors assembled, the summer begins.” But there are still two more actors to take to the stage - enter the Godden brothers in a shiny black car. The narrator’s older sister Mattie is immediately smitten by magnetic, handsome, self-assured Kit: “She was desperate to lose her virginity, and what sort of person would say no to Mattie? Surely not some movie star’s kid, fresh off the plane?” Though Mattie is certainly attractive, it’s obvious that charmer Kit has the upper hand of any situation, but might he also be a trouble-maker, as his curt, less-of-a-looker brother warns? Such wonderings underpin some of this novel’s essence. With the stage fully set and summer speeding towards the climax of a wedding, it poses fundamental questions about motivation, and the nature of agency, of lust, of the desire to be seen for who you are. Quivering with unease, passion and paranoia, it also reveals how past experiences engrave themselves upon us, creating fault-lines that may crack and cause future ructions. Sophisticated, seductive and smoothly readable, this is a summer story par excellence, and a coming-of-age tale for all times. Find out more about the YA Book Prize including all the shortlisted titles.
Winner of the Wainwright Prize for UK Nature Writing 2020 | Winner of the Books Are My Bag Readers Awards for Non-Fiction | Shortlisted for Waterstones Book of the Year 2020 | Longlisted for the Baillie Gifford Prize 2020 | Diary of a Young Naturalist recounts a year in the life of an autistic and highly gifted 15 year old, struggling with school, bullies, moving house and fearing the decline of the natural world whilst rejoicing in it. Dara McAnulty is clearly an extraordinary person and a beautiful and mature writer. His descriptions of his adventures in nature are inspiring for children, but also sure to brighten the souls of many an adult too. The intensity with which nature presents itself to the author is overwhelming, and his ability to share this with the reader is enthralling. It’s a rollercoaster ride being in the head of this young man, but the book has the magic to open our eyes and ears to what beauty is around us each and every day - if only we looked! McAnulty's knowledge of wildlife and nature is simply extraordinary. His autism is a burden but also a super-power, providing him with piercing insight to a world that simply cannot be ignored with all its truth, tragedy and hope pouring out of every hedgerow, pond and dry stone wall. This is a diary which highlights our essential connection with the natural world, the landscape and our history embedded within it - but more importantly, it is also about our futures. Dara McAnulty is on a mission, and if the quality of this book is anything to go by, he will have a huge impact. For many children, this book will be the beginning of a wondrous journey. ~ Greg Hackett Greg Hackett is the Founder & Director of the London Mountain Film Festival
Exhibiting the same intense sense of place as in her highly acclaimed debut, The Smell of Other People’s Houses, and set once again in Alaska and the American West during the 1990’s, this collection demonstrates absolutely remarkable storytelling and authenticity. Every word in each short story counts in bringing another character so vividly to life that we become completely immersed in their lives. These troubled teens encounter love, loss, coming of age, grief, abuse, and friendships with the minutiae of daily life often revealing or foreshadowing a deeper and darker truth. All the narratives share the backdrop of an increasingly devasting forest fire and the history of a little girl’s disappearance. Each story relates to these major events in different ways and the links between the individual stories and these shattering events gradually become apparent. What is also revealed is the universal dichotomy of small communities, where everybody knows everybody and yet does not actually know them at all. The struggle to get your voice heard and for people to accept your truth is at the heart of these beautifully crafted stories. This is a book which should be garlanded with awards and will definitely linger long in the reader’s mind.
16-year-old Brightonians Caddy and Rosie have been best friends all their lives, their relationship enduring even when Caddy’s aspirational parents send her to a private school. But when an enigmatic new girl arrives at Rosie’s comprehensive, Caddy’s longing for “something of some significance to happen” in her “hopelessly average” life is set in motion, along with a shift in the dynamic of her relationship with Rosie. While Caddy is initially terrified that the beautiful, impulsive Suzanne will replace her, the three of them form a deep friendship. As Suzanne’s self-destructiveness escalates, it emerges that she’s struggling to cope with the ordeal of having suffered physical abuse at the hands of her stepfather, and Caddy finds herself laying everything on the line to save her downward spiraling friend.This powerful, punch-packing debut is an utterly compelling, authentic portrait of the intricate ebbs and flows of friendship, and of a young adult trying to navigate the tempestuous waters of past traumas. Accessible and profoundly moving, Caddy, Rosie and Suzanne’s story is sure to resonate with many a young woman - a phenomenal feat for any writer, let alone a first-time novelist.
This companion to Beautiful Broken Things is a vital, powerful portrayal of the complexities of mental health, friendship and love. Now a legal adult, Suzanne, the self-declared “queen of fresh starts”, leaves her foster parents, acutely aware that “this time, I’m on my own”. She’s moving back to Brighton, the only place she’s ever felt a sense of belonging. “I’m overdue some goodness”, Suzanne muses as she moves into a basic bedsit, with Auntie Sarah and dear friends Rosie and Caddy on hand to help her settle in. But Rosie and Caddy soon head off to their respective universities, leaving Suzanne feeling abandoned. Lonely and struggling to make ends meet on the wages from her café job, she forms a friendship with her 79 year-old neighbour, a storyline that swells with raw, life-affirming beauty. Alongside this, painful mental health setbacks are triggered, and further rollercoaster rides come courtesy of a confusing, overwhelming romance with musician Matt. Honest, authentic, moving and entertaining, this all-consuming story is sensitive and wise on the complexities of growing up, and offers a guiding hand to young adults facing mental health struggles.
Sixteen-year-old Steffi has been selectively mute since she was five. No-one really knows why, least of all her, but teenage readers will recognise the different pressures that she feels so acutely. Her mutism heightens her loneliness, and the loss of her much-loved step-brother in an accident has added terribly to her isolation. We meet her as she’s starting sixth form, set on reaching university, the pressure to speak greater than it’s ever been. Things change when Steffi meets Rhys, who is deaf. Steffi can sign and as their relationship grows we realise that real communication takes many forms. This is very much a story of two individuals but it will resonate with readers, who will understand Steffi’s problems, and be reassured by its message that you don’t have to be noisy to have lots to say, or to be heard. Readers will also enjoy Holly Bourne’s excellent Spinster Club books, or the Zelah Green books by Vanessa Curtis. Find more books with Positive Images of Disability.
Fresh-voiced and thought-provoking contemporary YA exploring friendship, trust, messing up and trying to do the right thing in the aftermath of a teen girl going on the run with a teacher. Fabulously forthright Eden has always been the kind of student teachers “call ‘spirited’ when they're trying to be nice and 'disruptive' when they're not”. The last thing anyone expected was for her level-headed, flute-playing, star student bestie Bonnie to run off with the school music teacher, but that's exactly what happens, right before they're due to sit their GCSES, and Eden is the only one who knows where Bonnie is. She knows this is wrong, that Bonnie should come home, but she’s promised not to tell, and she can’t betray her friend. Bonnie was the one who made Eden feel at home in a new school when she was placed with a new foster family. Until Bonnie, Eden hadn't had a proper friend. And exploring friendship - how it feels, what it means, the joys, the obligations, the codes of loyalty - is at the heart of this involving novel. No one believes Eden when she says Bonnie hasn't been in touch, but how long can she keep lying? And what price will be paid for her loyalty, when she knows Bonnie is making a massive mistake? Alongside Eden’s struggle, understanding why Bonnie left is also thoughtfully explored - the pressures she put on herself to perform at school, the weight of expectation, the fears and doubts that made her more susceptible to grooming, the desire to feel understood. This novel tackles serious issues head-on, and with tremendous empathy, never shirking from the complexities of both Eden and Bonnie’s predicaments. Eden’s adoptive parents are a delight, as is her relationship with super-sweet boyfriend, Connor. They’re true friends, and the very model of a healthy relationship: loving, supportive and respectful of each other. Sara Bernard has done it again.
April 2021 Book of the Month | This exquisitely creepy YA shocker whirls with gritty horror, witty one-liners, Insta-worthy visual conjurations and the menacing mystery of three bewitching sisters who vanished in childhood. “Dark dangerous things happened around the Hollow sisters. We each had black eyes and hair as white as milk...We didn’t have friends, because we didn’t need them.” So explains the youngest sister, Iris. As children, the three sisters vanished one New Year’s Eve on the strike of midnight and reappeared with their hair and eyes a different colour, tiny baby teeth in place of their adult teeth, and no memory. “In possession of an alchemical self-confidence that belonged to much older humans,” Iris’ older sisters have “set off into the world, both bound for the glamorous, exotic futures they’d always known they were destined for”, leaving her alone in North London with her mother. Sinister bells toll when seventeen-year-old Grey, a supermodel and designer of decadent couture “who looked like sex and smelled like a field of wildflowers”, fails to turn up to middle sister Vivi’s punk gig in Camden, and then there’s the mystery of the man wearing a horned skull. There are books with unexpected twists, then there’s House of Hollow - imagine losing your way in a decaying fairy tale forest, where tangled tree roots trip you up, and you have no idea what terrors skulk within its ever-shifting mists. At times grisly and always eerie, this intoxicating cocktail of contemporary horror and mythic menace is a lushly-written feast.
Written and illustrated by award-winning artist and current affairs specialist George Butler, Drawn Across Borders is a unique empathy-inspiring portrayal of the affecting personal experiences of twelve migrants, covering countries as diverse as Tajikistan, Myanmar, Kenya, Syria and Palestine. It’s an honest, awe-inspiring tribute to the featured individuals, a testament to the strength of the human spirit, and a timely reminder that real people lie behind every news story on migrants. Real people with real (and varied) reasons for leaving places they once called home. Butler frames the book with brilliant clarity: “People move around the world for many reasons. Some migration is voluntary; most is not.” The written portraits are deeply personal, framed by the author’s experiences on the frontlines of - for example - refugee camps, and based on his conversations with migrants. When combined with the accompanying painterly illustrations, they create a book that draws the heart and eye to a clutch of stories that should be known. Recommended for readers aged 11 upwards who have an interest in current affairs and history (adults included), this would also make a valuable springboard for discussing migration and global politics in a classroom context.
Nominated for the Carnegie Medal | Set in the author’s native Wales during the dark days of the fifth century, Ellen Caldecott’s The Short Knife is an energetic, edge-of-your-seat page-turner with present-day resonance as 21st-century Britain - island of migrants - faces the challenge of forging an identity independent of continental Europe. With the Romans compelled to leave Britain after 400 years, the island is on the brink of collapse. Amidst this uncertainty and the chaos of Saxon invasion, thirteen-year-old Mai is cared for by her dad and sister (she lost her mam when she was three), and wrestling with her “anger at the people free to flee into the hills. Anger at all the world and everyone in it. I want to open my mouth and let the fire out, burn it all into blackness.” When Saxon warriors turn up at their farm, the family is forced to flee to the dangerous hills themselves. Mai must cross the threshold from childhood to adulthood if she’s to survive in a hostile world in which speaking in her mother tongue might turn out to be fatal. The cinematic scene-setting, first person narrative, and succinct, magnetically lyrical style make for a thrilling experience that will hook the most reluctant of readers. Recommended for fans of Caroline Lawrence and Damian Dibben’s The History Keepers series, this offers enlightening insights into British history with fresh flair, and through the eyes of a compelling main character.
The first thing that strikes you about this book is the fascinating, colourful effects on every page. This book is presented as a personal journal – one that is packed with artwork, collage and beautiful, striking full colour and line illustrations. The mix makes this a book that students will want to pick up and browse even before they get involved in the story. Asphyxia is a deaf artist, writer and public speaker and is a well-known Australian activist for deaf people, as well as writing previous junior fiction titles. Set in the near future in a Melbourne on the edge of disaster we live with Piper, a 16-year-old deaf student, who’s Mum wants her to appear normal - so Piper struggles to cope with hearing aids at school and uses ‘normal’ speech, so she fits in. She meets the son of a deaf mother, Matthew, who is a CODA – Child of a Deaf Adult – and realises that a whole world of communication is available to her in sign language. With this revelation comes a new world opening up that takes Piper into groups and friendships she has not seen before – away from the usual world of reconstituted food with created flavours into a whole way of life growing wild food and learning how to cook it. This theme of the sustainability of our world is such a hot topic – and the detail, illustration and information here is fascinating. I would recommend reading it for that alone, but what I found the most fascinating was being almost inside Piper’s thoughts as she discovered and learned Auslan (Australian Sign language). Having attended several Deaf Awareness training sessions in my working life I just wish someone had given me this book instead – it seems to place you inside a deaf person’s mind, so you can really grasp the difficulties and joys of being deaf, and the hearing world’s reaction to that. This book should be in every secondary school – it gives such a vivid picture of life for a deaf person, whilst the presentation is so beautiful it draws the reader in. Do read it! Find more books with Positive Images of Disability.