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The Silent Stars Go By is a riveting read-in-one-sitting experience driven by compelling characters who leap off the page, not least the young woman at its heart, an unmarried secretarial student who’s forced to give up her baby during WWI. The novel is also underpinned by a superb sense of social history, with evocative details of post-war village life nestling within the bigger story, and - as might be expected of the author of Things a Bright Girl Can Do - it’s threaded with feminist themes. It’s 1919, Christmas is on the horizon and two years have passed since nineteen-year-old Margot was forced to give up her baby for her parents to raise as their own. She was only fifteen when she and Harry fell madly in love ahead of him being called up. The magic of their time together is evoked in all its tingling passion, contrasting with Margot’s present-day torments. It hurts when little James calls her mother “Mummy”, and she doesn’t know how she can continue to keep James a secret from Harry, who’s returned to the village after recuperating on the Isle of Wight. The flashbacks to Margot’s time on the maternity ward are particularly poignant and, of course, the reason she has to endure this unbearable situation is due to the fact that she lives in a world in which “the girl is the one whose honour is defiled or whatever rot they spout” whereas “the boy is just being a boy”. Coupled with that wider context, Margot’s vicar father is a man who “forgave drunks and tramps and fallen women and the men who tried to steal the lead from the church roof. But he couldn’t forgive her.” Realising that “things couldn’t go on like this,” Margot decides to confront her fears amidst the rare glamour of a ball on New Year’s Eve.
It's OK not to be OK acknowledges and explores common mental health disorders such as depression, eating disorders and anxiety. Get the low down on these issues, why they happen and discover ways of looking after mental health in our fast-moving world. This book will help children and young people develop the resilience to cope with whatever life throws at them and grow into well-rounded, healthy adults.
Beautiful Sophie, with lips as red as blood, skin as pale as snow, and hair as dark as night, is about to come of age and inherit her father's throne. But Sophie's stepmother wants rid of her - beautiful she may be, but too weak and foolish to reign. And Sophie believes her, as she believes all the things that have been said about her - all the poisonous words people use to keep girls like her from becoming too powerful, too strong. When the huntsman carries out his orders of killing Sophie, she finds a fire burning inside her that will not be extinguished, and sets off to reclaim what was taken from her. Jennifer Donnelly turns her feminist eye to this most delicious of fairy tales and shows Snow White as she's never been seen before.
October 2020 Book of the Month | In this brilliant and emotionally gripping sequel to her best-selling debut novel, Dear Martin, the author’s focus shifts to a minor character: Vernell LaQuan Banks Jnr. Unlike Justyce, the hero of the first book who is now a law student at Yale, Quan is incarcerated and charged with the murder of a policeman. In Dear Martin, Justyce wrote letters in his journal to his hero Martin Luther King Jnr to work through his thoughts and vent his frustrations about life as a Black American. Here Quan actually does write to Justyce, inspired by reading that self-same journal and through these and a series of flashbacks his painful story is revealed. From the trauma of witnessing his dad’s brutal arrest and the domestic abuse his mother experiences from her new partner, to taking responsibility for protecting his small step-siblings to the extent of stealing food to feed them, Quan had none of the love and support that helped Justyce overcome the tragedies in the first book. In fact it is the need for a ‘family’ that embroils Quan into joining the Black Jihad and then loyalty to them which keeps his mouth shut about the fact that it was not his gun, left at the scene, which fired the fatal bullet. Through these letters we can really see Quan developing as a character and benefiting from studying with the tutor Justyce sent him. Evaluating himself and how he got there as well as the obvious racial disparities in the criminal justice system and how hopeless the future seems for black youths like him. Eventually the truth about his mental state, his coerced confession and the police procedural failure to gather ballistics evidence is revealed and Justyce launches a legal challenge to get the charges against Quan dropped and, just as importantly, find a way to reconcile him with his family and to be released from obligations to the other ‘family’. This is an unforgettable insight into lives where options and choices are so limited by systemic and institutional racism that despite every effort to the contrary the pathway to prison seems inevitable. In the afterword the author reveals just how many true stories are so authentically reflected here. Dear Justyce is an absolute must read, giving a voice to those who need it the most.
The duo that produced the cultural phenomenon that took the publishing world by storm in 2017, winning awards and sparking dozens of fundraising campaigns to get The Lost Words into every primary school, have now produced a book very different in form, but absolutely kindred in spirit and every bit as essential a purchase. This is a pocket-sized treasure containing twenty-one new ‘spells’- poems inspired by the natural world around us. These animals, birds, trees and flowers may be relatively common but are often underappreciated and ignored. Whereas The Lost Words had a formal triptych structure to its spells, this collection is freer and ranges from celebratory to elegiac and sorrowful. As the introduction says “Loss is the tune of our age, hard to miss and hard to bear.... But there has always been singing in dark times—and wonder is needed now more than ever.” Acrostic poems with the letters picked out in gold, feature most in this collection, as does the poet’s amazing facility with kennings and descriptive word play shown to great comic effect in Woodpecker “Chisel-gouger, head-banger, bark-stripper, nerve-shredder” Structured as a dialogue with badger one can see how much this lends itself to reading and performing aloud as indeed is the author’s intention with all the collection. The lyrical consonant tones or staccato beats of these beautiful spells is absolutely matched by the harmonious fluidity of the watercolour images that grace each page. From the challenging gaze of the red fox to the eyelike whorls of silver birch bark to the balletic wings of the swift wrapping around the words, the images fix the words indelibly into your mind. Lockdown saw a widespread recognition of the necessity for contact with the natural world to maintain health and well-being. This book is the perfect walking companion with a glossary identifying each species depicted, allowing this small but powerful book to do double-duty as an artful field guide. As Macfarlane writes In Goldfinch, apparently composed while sitting at his grandmother’s deathbed, "God knows the world needs all the good it can get right now“.
A new approach to behaviour management | A book packed with sound advice and made more relevant because the writers are teachers and have put their advice into action. Evidence based practice is always the best. There are so many useful phrases and practical tips and quotes. Phrases like ‘never leave a child with no where to go, behaviourally or educationally’, or ‘a burnt-out teacher cannot foster positive relationships’ and the ‘importance of personal space’ are particularly memorable examples. The style is informal and chatty and clearly laid out. I like the key ‘learning point’ boxes at the end of each chapter and the interesting examples of successes had with previous pupils. On occasions however, the examples are a little too lengthy and a little too personal. Whilst not prudish in any way, I did not think the swear words added much to the narrative or the over personalisation of ‘Steve’ or ‘Mick’ in the chapter overviews. Whilst I respected the scientific research that had gone into the reasons behind why children behave as they do, I think it would be fair to say that most educators want solutions and answers. Not because they do not care or are not interested in the science, but because they just do not have the time. For me, the interesting chapters were those that provided solutions to situations and offered practical help to real life scenarios. There were certainly many useful, thought provoking messages and theories throughout the book that we can all learn from.
October 2020 Debut of the Month | A gobble-it-up fiery and intense yet thoughtful debut novel about family, betrayal, and witchcraft. Opening the pathway to a fabulous historical fantasy series this calls out as a must-read for young adults. Set during the civil war in 17th century England, 15 year old Evey has to flee with her little sister Dill when her mother is murdered. As with all good young adult novels, it is perfectly easy to slide into and really enjoy as an adult too, particularly with the wonderful cover drawing you in. Touching history, it flies into fantasy, as author Finbar Hawkins examines the meaning of witch. Evey is a complex character and as she tells her own story she has the ability of self-reflection, even if she doesn’t always like what she sees. Witch is a read that fair on crackles with energy, it also encourages thoughts to both consider and soar and deservedly sits as one of our LoveReading debuts of the month.
This inventive page-turner opens with a superb sense of peril as sixteen-year-old Alfie moves from Bristol to spend summer in a small village in the north of England. There’s menace from the moment he chances upon a stone in a churchyard and local girl Mia explains the superstitions around it - if a person walks around the stone three times uttering the words “I don‘t believe in witches” Meg Shelton will come for you! Keen to show he doesn’t believe such nonsense, Alfie does exactly that - with immediate menacing effects, and it’s not long before he realises that he’s become a conduit for Meg, a woman murdered for being a witch way back in 1705. Defying convention and expectation, not only is this a gripping page-turner, but it’s brilliantly funny too, with comedy springing forth the moment Meg springs into Alfie’s life (and shower…). What’s more, it’s also edge-of-your-seat pacey as Alfie and Mia - with the help of Mia’s witch-expert aunt - race against time to help Meg make peace with her past, with the stakes high, and their feelings running pretty high too.
Love Yourself and Grow Up Fearless | The Body Image Book for Girls, published by Cambridge University Press, is certainly worth a place in any school library. Authored by a Professor in Psychology, whose research specialises in body image issues, the reader can have every confidence that the contents are backed up by authoritative evidence, but this is no dry academic tome. As she states in her introduction, Dr Markey is a mother of teenagers, a boy and a girl, and she really cares about girls having the information they need to make the right decisions and to develop healthy habits. When young girls are bombarded with images of airbrushed celebrities and social media pressures it is no wonder that most girls are dissatisfied with some aspect of their bodies and this can lead to anxiety, depression and worse. With an estimated 1.25 million people in the UK having an eating disorder there can be no doubt that there is a real need for a book like this to counter the misinformation out there. The ten chapters cover very clearly and concisely an enormous amount of information ranging from puberty and body changes to self-care, mental health, basic nutritional science, healthy eating habits and making food fun, physical activity and loving our bodies for what they do (not how they look)and how to handle social media and challenging fat shaming language. Each chapter has My Story sections with real life experiences, myth busting boxes, Q&A and a valuable concluding summary of the key points. Combined with an excellent glossary and helpful illustrations the reader can quickly find the information that they need at any given time. But the unpatronizing and non-didactive tone also makes this an enjoyable and engaging read likely to be read from cover to cover. Highly recommended for age nine upwards to the many adults who would benefit from its wisdom too! For more books with a strong, feminist theme, visit our Girl Power feature.
This captivating sequel sees contemporary Native American Agnes discover deep connections to her ancestress Mary, whose story enchanted readers in Witch Child. Deftly interweaving narratives of the past and present, and laced with atmosphere, authenticity and insights into Native American culture, this is an exhilarating, emotion-driven feast for fans of historical fiction. Agnes is proud of her Native American heritage, though her fellow anthropology students don’t call her by her tribal name, Karonhisake - Searching Sky. After reading the historic diaries of Mary Newbury and being struck by a vision type experience, Agnes feels compelled to contact the researcher who found Mary’s diaries. She has a hunch that Mary might be the young woman she’s heard stories about on her home reservation. As things turn out, her formidable Aunt M, a medicine woman, is already miles ahead of her in knowing this. Bristling with intrigue and ethical commentary on the acquisition and appropriation of Native American objects (“What right they got to any of that stuff? Bunch of grave robbers!”), this tells the remarkable tales of two remarkable young women connected across time.
An absolutely charming addition to a much loved series. There is something so uplifting about these novels, Alexander McCall Smith has the ability to embrace the intimate in order to open far-reaching views. Mma Ramotswe is troubled by a strange smell in her van, her new neighbour causes concern, and a distant cousin asks for help. Can you believe that we are now at book twenty-one in this evocative series which began with The No:1 Ladies’ Detective Agency in 1998? Do you have a favourite, I think this could well be mine…though as with all good series that create a world for you to inhabit, the latest usually becomes your most treasured! There is a graceful ease to the words of Alexander McCall Smith, he is so gently yet evocatively descriptive and as soon as I started to read a sense of ease enveloped me. The pace slows, the small things matter, and Mma Ramotswe is just glorious.