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Exploring the all-consuming throes of love, malicious secondary school social politics, sexual abuse, and how difficult coming out can be, William Hussey’s Hideous Beauty is a top-notch YA thriller with hard-hitting emotional resonance. Forced by social media exposure to come out earlier than planned, Dylan and his gregarious boyfriend Ellis reveal their relationship to the world in spectacular style at a school dance: “Okay, Dylan, this is it. No going back. The closet door is firmly barred behind you, chained and bolted. No re-entry, no refunds. It’s gay all the way from here on out.” Riding high after an unexpectedly jubilant response to their revelation, tragedy strikes when they leave the party - Ellis becomes angry and their car plunges into a lake. While Dylan is rescued, Ellis drowns, leaving Dylan wracked with grief and guilt: “I deserve the pain. I deserve the crazy. I deserve a messed-up hand. No one’s taking these things away from me.” Set on trying to “find out who pulled me out of that car and why they left Ellis to drown”, it’s not long before Dylan stomps into a viper’s nest, uncovering jaw-dropping truths that set him - and readers – reeling. With his family less than supportive, at least best friend Mike remains at Dylan’s side, even though he’s undergoing chemotherapy for leukaemia. Gripping, moving and unflinchingly honest, this is a fiercely affecting novel, told through the cleverly interwoven collision of two timelines.
May 2020 Debut of the Month | At seventeen, Brooklyn hipster Cal is a successful social media journalist accustomed to living in the public eye, with a whopping 435,000 followers on the FlashFame app. But even Cal isn’t ready for the unforgiving media storm he’s thrust into when his pilot dad is shortlisted for NASA’s Orpheus mission to Mars. Initially dead against leaving Brooklyn, Cal begins to wonder whether “maybe Clear Lake, Texas, has a story out there just waiting for me to uncover.” And then there’s handsome Leon, one of the other “Astrokids”, who’s set his heart pounding before they’ve even met. On arrival, and immediately thrust into the spotlight by StarWatch reality TV show, Cal finds himself “admitting I like our new home, even this town”, which in turn “feels like I’m abandoning my old life.” Maybe this is down to his contradictory nature - Cal is anything but a straightforward teenager. He doesn’t think like one. He doesn’t speak like one. Indeed, his thought processes and dialogue can seem out of kilter with his age. He needs everything just-so, but at the same acts impulsively. For example, he can’t stop himself from broadcasting news about his dad to his followers, which - as predicted - results in him facing the wrath of StarWatch. Cal’s settling-in has a lot to do with his rollercoaster romance with Leon. It’s starts out with the thrust of a rocket launch (“This crush is strong. This crush is too powerful. This crush will be the end of me”), and then comes a crash to earth alongside tragedy striking the mission. In the aftermath of this, Cal finds himself working to expose Starwatch’s agenda, both to clear his name and save the mission, and the truths revealed sure ain’t pretty. Covering mental health issues (via Leon’s depression and Cal’s mom’s anxiety) alongside a whirlwind coming-of-age gay love story, The Gravity of Us is an entertaining YA debut that gives many underrepresented folk a chance to see themselves on the page, with the added kick of space exploration and media ruthlessness.
Double Carnegie winning Patrick Ness proves yet again how effortlessly he can weave a tale that juggles apocalyptic themes and astonishing action with the truly personal sphere of beliefs and actions while dealing with issues as powerful as racism, homophobia and the morality of war and underlaying it all with deeply tender stories of love. Sarah Dewhurst, finds herself at the centre of an age-old prophecy about humans and dragons, as revealed to her by Kazimir the sardonic Russian Blue dragon hired by her father in a last-ditch attempt to save their farm from bankruptcy. She also learns that an assassin is heading her way, sent by Believers who want the world emptied of human obstacles to the dragons’ dominance. Malcolm, the putative assassin, was raised from childhood in the cult and his evangelical determination to carry out his mission is matched only by his internal regrets for the life that he might have had. The plot twists and turns and grips the reader in a vice and the multiple perspectives, including the FBI agents on Malcolm’s trail, create an intense and captivating reading experience. Every character is given nuance and depth, even the extremely unpleasant Deputy Kelby has a recognisable psychology. There are no long pages of exposition, the writing is as spare and beautifully crafted as we have come to expect and yet the world building is entirely credible as well as fascinating. While the book stands satisfactorily concluded there is a tempting suggestion of more to come and I am sure all readers would anticipate this as avidly as I do. Highly recommended.
25% Sisters 25% Sorrow 25% Joy 25% Forgiveness | From the multi-award-winning author of The Poet X and With the Fire on High comes Elizabeth Acevedo’s exceptional dual-voiced novel about loss, love and sisterhood across the sea, a story partly sparked by the fatal crash of a flight from NYC to Santo Domingo in 2001. Camino Rios has always lived in the Dominican Republic with her aunt Tia, “a woman who speaks to the dead, who negotiates with spirits”, a woman who’s like a mother to her: “Even when Mama was alive, Tia was the other mother of my heart.” Life’s not easy for them on the island, but they have it better than their neighbours as a result of Camino’s beloved Papi working in the US for most of year. To Camino, Papi is a “A king who built an empire so I’d have a throne to inherit”, and she lives for the summer months when he comes home to them. But all life is thrown into terrible disarray when she goes to meet Papi at the airport and learns that his plane has fallen from the sky, and then: “I am swallowed by this shark-toothed truth.” This story is blessed with such divinely piercing language throughout. At the same time, across the Atlantic, Yahaira Rios learns that her hero Papi has died in a plane crash. She already knew he had a wife on the island (but not of his secret daughter), and has always longed to reconcile her Dominican heritage with her American life: “Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?” When it emerges that Papi wishes to be buried back in DR, Yahaira’s Mami insists that she will never let her “touch foot on the sands of that tierra.” But Yahaira has other plans, not least when she’s contacted by a girl named Camino Rios who bears an undeniable resemblance to Papi, and to her too. As well as being exceptionally affecting on grief, forgiveness and family secrets, Clap When You Land is also devastatingly sharp on the exploitative tendencies of tourism. In Camino’s words: “I am from a playground place…Our land, lush and green, is bought and sold to foreign powers so they can build luxury hotels...Even the women, girls like me, our mothers and tias, our bodies are branded jungle gyms…Who reaps? Who eats? Not us. Not me.” Overflowing with truths of the heart, and truths about inequalities that need to be broken, while also addressing the complexities of what it means to be of a place, I can’t praise this highly enough.
Following on from Lily’s Just Fine, this Scottish seaside-set romance tackles issues of self-confidence and coming-of-age confusion with a lovely lightness of touch. Alongside a sweet rollercoaster romance, the author explores how difficult it can be to find your way in the world, how difficult it is to make life-changing decisions. Gemma is one of life’s self-doubters. Painfully unsure of herself, she’s the polar opposite of her super-confident, super-enthusiastic best friend Lily, whom we met in the first of this four-book series. A talented musician, Gemma’s been offered an audition at the prestigious Glasgow Conservatoire, but she’s not sure she can face it, or if this is what she really wants. Meanwhile, Lily’s ex-boyfriend is already at uni in Glasgow. Confident coaster Jamie seems to have the world at his feet, but beneath his happy-go-lucky exterior, Jamie’s struggling - failing his assignments and only on this course due to parental pressure. As it all gets too much, he and Gemma strike up an unlikely friendship - and more - when Jamie convinces her to form a band with him. The path of their romance is far from smooth, with Gemma doubting herself at every turn, and Jamie struggling to find a new life course, but the cute couple carry readers with them every step of the way. You can’t help but root for Gemma to be happy, to feel at ease, to find her way in the world. And Jamie too. Far from being the cocksure young man people take him to be, he’s also a lost soul, floundering to find his way. With a sweet sub-plot about mentoring and empathy alongside the romantic drama, this a fun summer read with emotional wisdom.
The highly-anticipated and brilliantly crafted crime-thriller sequel to the no.1 debut of 2019, A GOOD GIRL'S GUIDE TO MURDER Pip Fitz-Amobi is not a detective anymore. With the help of Ravi Singh, she released a true-crime podcast about the murder case they solved together last year. The podcast has gone viral, yet Pip insists her investigating days are behind her. But she will have to break that promise when someone she knows goes missing. Jamie Reynolds has disappeared but the police won't do anything about it. And if they won't look for Jamie then Pip will, uncovering more of her town's dark secrets along the way... and this time EVERYONE is listening. But will she find him before it's too late? Perfect for fans of One of Us Is Lying, Eva Dolan, C L Taylor, We Were Liars and Riverdale
Shortlisted for the CILIP Carnegie Medal 2020 | On the run with her little brother, Aidan, sixteen-year-old Emily stows away on a plane in this fast-paced thriller. When their plane crashes into the side of a snowy mountain, it’s up to Emily to ensure Aidan and their pilot, Bob, make it off the mountain alive. Lost in the Alaskan wilderness and pursued by mysterious government forces who want to capture them, the unlikely team of three trek across the freezing landscape, learning more about each other, and about life, than they ever thought possible.
From Katie Cotugno and author of Sex and the City Candace Bushnell comes this fierce and feisty exploration of feminism: standing up, speaking out and rewriting the rules. Don't be easy. Don't give it up. Don't be a prude. Don't be cold. Don't put him in the friendzone. Don't act desperate. Don't let things go too far. Don't give him the wrong idea. Don't blame him for trying. Don't walk alone at night. But calm down! Don't worry so much. Smile! Marin is a smart, driven, popular girl - she's headed for Brown when she graduates and has a brilliant career as a journalist ahead of her. Especially in the eyes of English teacher Mr Beckett. He spends a lot of time around Marin, and she thinks it's harmless . . . until he kisses her. No one believes Marin when she tells them what happened, so she does the only thing she can: she writes an article called 'Rules for Being a Girl' for the school paper to point out the misogyny and sexism that girls face every day. As things heat up at school and in her personal life, Marin must figure out how to take back the power and rewrite her own rules.
The new book by the author of the Sunday Times bestseller Millie Marotta's Animal Kingdom. Lose yourself in a riot of colouring in and drawing as you bring the exotic creatures and plants in Millie Marotta's Tropical Wonderland to life. Millie's intricate style of illustration encourages you to make your own mark, whether it's to add to the fine lines on trees or add a splash of colour to the feathers of a tropical parrot. Explore the rainforest further and you will find extraordinary flowers, birds, butterflies and reptiles, including a rainbow boa with shiny scales crying out for a touch of colour. This book will bring enjoyment to anyone who is looking for a creative outlet or a mindful and relaxing activity.
Award winning author Jenny Valentine is justly renowned for never using three words where one will do, but every word she uses will count. Hello Now is another short novel that punches well beyond its weight. Every novel she writes is completely different, but you always know that you are in for an unforgettable reading experience. So, you would not expect the obvious wish fulfilment fantasy love story of finding true happiness with the perfect time-travelling love object and while that is the bare bones of the story of Jude and Novo, what we get is so much more. Jude is cleverly non gendered throughout the book and so this romance can take on multiple interpretations. The mechanics of Novo’s existence are never logically explained either, but we do have an intense dive into the powerful emotion that often seems beyond rationality and beyond time. It is only when Novo meets Henry, the old reclusive sitting tenant in the house Jude has just moved into, that Jude realises the harsh dilemma facing them. In one of the most touching scenes, Henry and Novo recognise each other for what they are. As Henry later explains to Jude alone, if Novo stays with Jude in her present time, he sentences himself to eternal loneliness once Jude inevitably dies, the same loneliness that Henry currently endures. A sacrifice that Novo is desperate to make but one that Jude cannot live with. Doing what is right is not always easy but embracing the moment, embracing change, and moving forward after loss are lessons worth learning. Exquisitely done and a thought provoking, rewarding read.
25% Loss, 25% Memory, 25% Haiku, 25% Peace | This novel moves from poetry to prose, and back again, as it explores a girl’s relationship with her Grandfather. Mizuki can see something is deeply troubling to her Grandfather Ichiro, but she can’t find its source, except it is somehow connected with an old book and Ichiro’s need to create origami paper cranes from it. Mizuki’s worries are expressed in verse before we jump back into prose - to the at times brutal description of the day the bomb fell on Hiroshima and Ichiro’s role in that day and beyond. The descriptions of the effects of the bomb are based on effective research and from survivor’s tales and told in such a way that the reader is entirely there in the moment and the long days after as Hiro rebuilds a life for himself. As we return to Japan in 2018 the novel reverts to poetry to the very modern tale of how Mizuki uses the internet to try to get to the bottom of the problem facing her elderly grandfather. The illustrations in the book help create the many impressions and emotions aroused by the story – they are based on Japanese brush and ink techniques and add a further layer to this already impressive book. This is a harrowing tale but the ultimate redemption in the story leaves one with a sense of hope. Highly recommended.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
