No catches, no fine print just unconditional book love and reading recommendations for your students and children.
You can create your own school's page, develop tailored reading lists to share with peers and parents...all helping encourage reading for pleasure in your children.Find out more
Shot-through with a vital message about the importance of giving voice and rightful representation to women who’ve been silenced by centuries of patriarchy, this smart novel melds an intriguing art history mystery with Parisian amour. While Khayyam is clear about what she wants to do with her life - become a respected art historian - her identity is more complex. She’s “French American. Indian American. Muslim American. Biracial. Interfaith.” As such, “Others look at me and try to shove me into their own narrative to define who and what I am. But I’m not a blank page that everyone else gets to write on. I have my own voice.” This statement weaves through the whole novel, which sees Khayyam in Paris for the summer, still reeling from a relationship gone awry back home in Chicago, and from her Young Scholar Prize essay being dismissed as “the work of a dilettante, not a future art historian”. When she happens to run into a cute Parisian boy, who happens to be a descendent of bi-racial French writer Alexandre Dumas, Khayyam and said cute boy (also called Alexandre) embark on an intellectual voyage that leads them to Leila, a nineteenth-century Muslim woman connected to Dumas and Byron. Leila’s forgotten life and silenced voice is revealed through her letters, with Khayyam frequently asserting her desire to right the wrong of “the entire world dehumanizing and erasing this woman who had a life, who mattered.” Through Khayyam the novel also addresses issues around representation and cultural appropriation as she wrestles with determining who has the right to tell Leila’s story, including herself. As Khayyam’s findings hot up, so too does her love life. First there’s the spark between her and Alexandre, then there’s the simmering presence of her Chicagoan ex. With Paris vibrantly evoked as her stage - its history, architecture, secret gardens and food - Leila’s personal life and intellectual prowess combine to create a life-changing summer. This comes hugely commended - and recommended - for its portrayal of an intelligent young woman who refuses to bow to expectations, and who’s determined to give voice to the voiceless. Like Khayyam, it’s smart, thoughtful and inspirational.
August 2020 Debut of the Month | It's 200 years since Cinderella found her prince, but the fairytale is over. Sophia knows the story though, off by heart. Because every girl has to recite it daily, from when she's tiny until the night she's sent to the royal ball for choosing. And every girl knows that she has only one chance. For the lives of those not chosen by a man at the ball ... are forfeit. But Sophia doesn't want to be chosen - she's in love with her best friend, Erin, and hates the idea of being traded like cattle. And when Sophia's night at the ball goes horribly wrong, she must run for her life. Alone and terrified, she finds herself hiding in Cinderella's tomb. And there she meets someone who will show her that she has the power to remake her world ... An electrifying twist on the classic fairytale that will inspire girls to break out of limiting stereotypes and follow their dreams!
August 2020 Book of the Month | Aspiring witches 9 years and older will find this an invaluable and empowering guide, filled with authentic detail and strikingly illustrated. With the supernatural wisdom of modern-day witches Elsa Whyte and Julie Legere and Laura Perez's rich artwork, step into your dark sisterhood and discover the Secrets of the Witch.
August 2020 Book of the Month | “Don’t take things for granted – challenge everything. That means challenging big business and your governments and, most of all, challenging yourself to act now and save the planet,” so writes activist author Blue Sandford, the seventeen-year-old founding member of Extinction Rebellion Youth London, in her inspiring call-to-action introduction to Challenge Everything. The only official handbook from Extinction Rebellion, this youth-driven, youth-oriented manifesto speaks loud and clear to the legions of young people who feel disenchanted with world leaders, and angry at the greed of big business dictating the downward direction of the world, all enhanced by strikingly designed slogans and illustrations. At the book’s heart is the powerful message that, “you are responsible for your own actions.” For example, “every time you take an uber, go on holiday on a plane, buy new trainers, even turn on the lights and heating, you’re contributing to climate and ecological collapse, you’re indirectly destroying rainforests and wildernesses.” This is typical of the book’s punch-packing perspective. Above all else, the author seeks to empower her readers with a change of mindset, one that challenges all aspects of the status quo, with the ultimate aim of saving the planet. Covering everything from the destructive effects of flying and the fast fashion industry, to the importance of re-wilding and reconnecting with nature, this potently persuasive manifesto also has a powerful practical emphasis, with details on the forms challenges might take, such as boycotting, non-violent direct action, campaigning and government lobbying. For more books on an eco theme try our Green Reads.
August 2020 Book of the Month | Less than one year ago, until November 2019 in fact, SARS-CoV-2 coronavirus hadn’t infected a single person and was completely unknown to nearly all of us. Now it has changed our whole world, yet most of us still have only a hazy idea of what viruses are, which is where this brilliant little book comes in. The Virus tells you everything there is to know about viruses including of course COVID-19. It explains what viruses are, what they look like and do, why they are so successful at making us ill, what we can do to combat them, and why some of them actually help us. If this sounds a bit technical or heavy going, think again: it’s fascinating stuff and presented in a way that makes it really easy to read and understand. The story of coronavirus as told here is an adventure, full of heroes and villains, facts and figures that will stop you in your tracks, and some good jokes too. I can’t think of a more interesting or relevant book for our times – everyone needs to read this! If you're interested in science you can find many similar titles in our Best Non-Fiction collection.
Through the tangled identity struggles of authentic characters you’ll truly care about, Alice Oseman’s Loveless extends an understanding hand to aromantic asexuals (people who experience little-to-no romantic or sexual attraction, also known as aro-ace) while guiding all readers through fears of being alone and dealing with the pressure to hook up. Moreover, it’s a thoroughly entertaining, gripping page-turner that shows finding happiness isn’t dependent on romantic love. Georgia is desperate to experience her first kiss before she and her two best friends head to Durham University. After being made to feel “weird” and “disgusting” when she confesses to her peers that she’s never kissed anyone, Georgia seizes an opportunity to snog the one and only crush she’s ever had. When this goes spectacularly wrong in a scene that sizzles with tension and scorching comic timing, it hits her that “I hadn’t ever fancied anyone,” that the reality of kissing and romance “disgusts me.” But still she resolves to “try harder. I wanted forever love. I didn’t want to be loveless.” At Durham, while still struggling to find love, Georgia finds new friends in her outwardly confident, sexually active roommate, and Sunil, president of her college’s LBGTQ society. Sunil’s compassion and personal experiences help her discover who she is, to realise that she’s not alone in not feeling sexual or romantic attraction. Georgia’s journey to discovery is far from smooth, though, with many friendship-threatening, edge-of-your-seat errors made along the way.
An inspirational history of the LGBTQ+ movement | With activist and founder of LGBT History Month and Schools OUT UK, Susan Sanders, as consultant, you can be confident that the information in this essential resource is reliable as well as being engaging and highly readable. The foreword by celebrity actor Layton Williams and the Why I Have Pride vignettes interspersed throughout the book, featuring young people from across the whole spectrum of the LBGTQ+ community, will ensure a high level of interest from young people and provide empowering messages for them to read. Starting from the evidence of acceptance in ancient history through the growth of persecution as Christianity flourishes in Europe, the brutality of the Inquisition, the recurrence of the death penalty for homosexuality around the world and the disaster of the Aids epidemic, this book does not hide the darker side of the history of the LGBTQ+ movement, but the emphasis is very much on the brave people who took on the fight against discrimination, prejudice and injustice. So, although agonising setbacks occurred, the overall progress has been upwards and the overall impact of the book is to inspire and celebrate. Helped, no doubt, by the rainbow coloured cover and vibrant illustrations. The timeline of milestones, comprehensive index and glossary and guide to sources of further information add value as a reference tool, but this is very much a book that will be read with pleasure and I hope with pride!
Kesia Lupo's We Are Bound By Stars is a fine follow-up to We Are Blood and Thunder, a richly-realised fantasy epic in which intrigue, trickery and powerful gifts from the gods throng through a cast of colourfully compelling characters. If you’re a fan of female-fronted fantasy, of Leigh Bardugo and Sarah J. Maas, this series is sure to be your chalice of char. Beatrice is one of three female mask-makers in the kingdom of the Wishes, a cluster of volcanic islands ruled by a Contessa. As a result of a secret pact the Contessa made with Mythris, patron god of the Wishes, the chosen triplet mask-makers are taught to create masks with powers that aid “the Contessa in discovering and destroying her enemies”, as long as the chain of inheritance remains intact. As a middle sister, Beatrice makes Grotesques, masks that “draw power from expression”, creations with the power to manipulate emotions, but she’s desperate to flee this life of bondage. Then there’s Livio, born into a powerful family, destined to be the first male leader in aeons, but his magic is overwhelmingly wild. When his path collides with Beatrice’s, it falls to them to prevent devastating insurgency, as menacing masked assassins close in on their heels. Can they cut the strings of a controlling puppet master? Can they change the course of destiny? As their tales twist along a troubled path, the sense of time running out, of high-stakes decisions, of human emotions are grippingly evoked within a tangled web of magical trickery.
July 2020 Book of the Month | Set in the author’s native Wales during the dark days of the fifth century, Ellen Caldecott’s The Short Knife is an energetic, edge-of-your-seat page-turner with present-day resonance as 21st-century Britain - island of migrants - faces the challenge of forging an identity independent of continental Europe. With the Romans compelled to leave Britain after 400 years, the island is on the brink of collapse. Amidst this uncertainty and the chaos of Saxon invasion, thirteen-year-old Mai is cared for by her dad and sister (she lost her mam when she was three), and wrestling with her “anger at the people free to flee into the hills. Anger at all the world and everyone in it. I want to open my mouth and let the fire out, burn it all into blackness.” When Saxon warriors turn up at their farm, the family is forced to flee to the dangerous hills themselves. Mai must cross the threshold from childhood to adulthood if she’s to survive in a hostile world in which speaking in her mother tongue might turn out to be fatal. The cinematic scene-setting, first person narrative, and succinct, magnetically lyrical style make for a thrilling experience that will hook the most reluctant of readers. Recommended for fans of Caroline Lawrence and Damian Dibben’s The History Keepers series, this offers enlightening insights into British history with fresh flair, and through the eyes of a compelling main character.
June 2020 Debut of the Month | Telling the affecting story of sixteen-year-old Cal’s battles with homophobic bullies, family upheavals, mental health and heartbreak, this hard-hitting page-turner pulls no punches from the opening coming-out scene that results in Cal’s mum needing medical attention and an almighty clash with his dad. Reeling from strife at home and school, along with a series of ill-advised one-night stands, Cal’s life seems to take an upward turn when he falls for handsome, wealthy Matt. But since the course of passion and romance rarely runs smooth, thank goodness Cal’s best friend Em and her joyous Scotch-drinking, straight-talking nan are there when he needs them. Exploring themes of homophobia, self-harm, complex family dynamics, friendship, and intergenerational bonds with clarity and sensitivity, Fall Out is underpinned by a warm message of hope and the possibilities of starting afresh. As Cal says, “You can’t pave over the faults; you can’t wash away the past but sometimes, when you make mistakes, you get a second chance.”
Understanding and teaching primary grammar | As an English teacher, I am always on the lookout for a useful grammar book that I can dip in and out of, one where I can quickly check a query or confirm an idea. As the authors comment in the introduction, ‘Good grammar is often that which eliminates confusion or ambiguity’. It is so easy to think you know how something should be written and instinct often tells you where to put a comma, but it is not always easy to justify or explain. You have a feeling but cannot necessarily explain why something is what it is, which is not useful in the classroom. This book is very good at removing the myth, simplifying the rules, and clarifying things without patronising. The book is laid out very clearly, with a comprehensive glossary, useful references and a clear table explaining what grammar should be taught to what year group. Each area of grammar is clearly explained with appropriate exercises, examples, useful references, fun activities, and links to online support material. I put the glossary to the test to see if my theoretical questions could be answered and was rewarded with helpful answers on each occasion. It is a very user-friendly book and one I suspect I will regularly be dipping into. As teachers, you want reliable resources, easily available, which this certainly delivers. It is clear the book was written by teachers for teachers and is all the better for it.